In my opinion, the best practice would be for editors to stop putting in 
"phrase markings".

Susan Thompson

-----Original Message-----
>From: Herbert Foster <[EMAIL PROTECTED]>
>Sent: Jan 14, 2008 12:26 PM
>To: The Horn List <horn@music.memphis.edu>
>Subject: Re: [Hornlist] Slur - or phrase marking?
>
>That's what I always thought, but I've had a well known teacher say it's 
>always a slur. The piece in question was Pavanne For a Dead Princess.
>
>Herb Foster
>
>----- Original Message ----
>From: Paul Mansur <[EMAIL PROTECTED]>
>To: The Horn List <horn@music.memphis.edu>
>Sent: Monday, January 14, 2008 9:31:21 AM
>Subject: Re: [Hornlist] Slur - or phrase marking?
>
>
>In a word, you judge from the context.  There are all sorts of clues,  
>tempo, style markings, etc.
>
>Paul Mansur
>
>On Jan 14, 2008, at 5:26 AM, Graham Jarvis wrote:
>
>> Hi
>> I can't believe I've ben playing the horn for as long as I have  
>> without having cleared this question up but better late than never.
>>
>> How do I know whether a curved line over (or below) a series of  
>> denotes is meant to denote a slur (notes connected without  
>> tonguing) or a phrase-mark (notes connected musically but not  
>> ruling out tongued articulation between notes)?
>>
>> The issue arose when I was looking at the Concone studies which I  
>> recently bought. But thinking back over rcent orchestra rehearsals  
>> I can remember times when I've made decisions based in instinct  
>> rather than theory.
>>
>> Are there rules out there?
>>
>> Regards,
>> Graham
>>
>> --
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