2009/2/6 <[email protected]>

>
> Those who call themselves artists look at my work and I call the technical.
>
> Those who say technicians and scientists see me as a clumsy craftsman


yelling against the windmills.



>
> Circle communities by "virtual" as a pariah curse visions of vectors and
> checking for crossroads embodiment of the entities, some of them are not
> as virtual,


Walking through "virtual" communities as a pariah, preaching visions of the
crossroads for the entities embodiment - being shure that they are not
virtual.




>
> travel kilometers to find people who were just avatars, names, addresses


into that

>
> open network of computers that since childhood I helped to build -
> manipulated
> by those games of war and peace of this huge information leviathan .
>






>
> Tateio


"to act tactile".



> the physical contours of that identity without homeland,




> without
> grammatical rules of language




> remade inside of a fragile global
> lexicon of cultural references, instantly and not cataloged in the history
> of mankind pact.




>
> Justify a translation of protocols semi-algebraic,




> look at these motherboards without using the maternal metaphor,




> believing only in the tangible skeleton




> that for those who ignore my world is a ghost to them pulling the foot,




>
> a post-industrial  monster


ressurected


> of
> light speed barrier




> wich bodies can't reach.





>
>
> Your virus laboratory is only an excuse for not knowing our bellies.
>

THEIR laboratory virus are only the excuse to ignore our BOWELS.


>
> Dissecting and loving: () (: |: &);:



>
>
> The step up INTO the abyss




> to calculate all the possibilities for
> syntactic soothe of thy senses.





>
>
> Weather report in thy dance of rain.




> The banal and glorious rhyme




> lost in a
> check-mate




> that was already overcome in deep blue and red marrow, for us,
> software-and hardware embodied accepted as one of ye:_____________
>





...A derrota de Kasparov no segundo match é uma das maiores polêmicas do
mundo do xadrez. Naquela ocasião, o grande mestre acusou a IBM de ter
trapaceado dizendo que jogadores humanos intervieram durante a segunda
partida. A IBM se defendeu dizendo que os ajustes no programa e intervenções
ocorriam somente entre uma partida e outra. Kasparov pediu os arquivos
(printouts dos log files), porém a IBM se recusou a fornecê-los. Na base de
dados do computador havia mais de 700 mil partidas de Mestres e Grandes
Mestres, porém quando Kasparov pediu à IBM algumas partidas jogadas pelo
Deep Blue para que entendesse melhor seu oponente, o pedido foi negado.
Kasparov pediu ainda um novo match, porém a IBM não teve interesse e
aposentou o computador. Há um documentário de 2003 (Game Over: Kasparov and
the Machine) que conclui que esta vitória foi armada para elevar o valor das
ações da companhia.
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