I recently noticed this material put on Archive.org<http://archive.org/> (and 
also available on sanskritdocuments.org<http://sanskritdocuments.org/>):

https://archive.org/details/sAmagAnam/Samaveda_Samams_Decoding_PR_Iyer/
Samagana (sAmagAnam सामगानम्) are lines for chanting with musical notes.  These 
lines have no relation with the lines of saamaveda Samhita.  Saamagaanam is not 
singing of the samhita. We present here first portions of SAmagAna in Malayalam 
script, handwritten manuscripts with svaras prepared by P R Iyer (iyerpr49 at 
gmail) communicated in January 2021.  Linked from 
https://sanskritdocuments.org/doc_veda

The audio clips of the Samaveda Ganam are available at 
https://iish.org/sama-veda/
The text in the PDF files has the corresponding audio clip number and 
minute:seconds time stamp on the left side of the text in each PDF file.
By clip number 24, audios of Grama gaanam (GG) and Aranyaka gaanam(AG) are 
completed.
The remaining 40 audio clips are for Uha gaanam and Uhya gaanam.
Uha gaanam and Uhya gaanam text is really massive actually intimidating and 
error prone.  Those are not prepared here, and there is no plan to post them.

The document Samaveda_Samams_Decoding_PR_Iyer.pdf will help the reader to chant 
saamams musically.

Another file Secrets_of_gUDhAkSharams_of_sAmaveda_saMhitA_PRIyer.pdf
will reveal some Secrets of gUDhAkSharams of_ sAmaveda saMhitA.

For information, all Samaveda Samhita files in Malayalam are available at
https://archive.org/details/samaveda-malayalam-0001-0114-Agneyam_PR-Iyer/Samaveda_Malayalam_0001-0114_Agneyam_PR_Iyer
Samaveda Samhita Kauthuma Samhita in Malayalam handwritten manuscripts with 
Samaveda svaras prepared by P R Iyer (iyerpr49 at gmail) communicated in 
October 2020.  Linked from https://sanskritdocuments.org/doc_veda

There is also by the same
https://archive.org/details/rigveda-malayalam-01-001-019-a-1.1-pr-iyer/Rigveda_Malayalam_01_001-019_A1.1_PR_Iyer/
Rigveda Samhita in Malayalam handwritten manuscripts with Vedic svaras 
(anudAtta, svarita, 1 1/2, and dIrgha svarita) prepared by P R Iyer (iyerpr49 
at gmail) communicated in August 2020.  The files are arranged with maNDala, 
sUkta range, and aShTakas.adhyAya.  Linked from 
https://sanskritdocuments.org/doc_veda


–––––––––––––––––––

Le 29 janv. 2024 à 17:55, Jan E.M. Houben via INDOLOGY 
<[email protected]<mailto:[email protected]>> a écrit :

Dear François,

Since you want to give a reply to your student -- Asko: happy to know that this 
important publication of Wayne Howard has been generously made available at the 
Studia Orientalia website -- you may consider in addition to refer him to:

J.M. van der Hoogt:
The Vedic Chant Studied in its Textual and Melodic Form.
(Concerns mainly the Kauthuma school of Samaveda.)
Dissertation at the University of Amsterdam (prepared under the direction of 
Barend Faddegon).
Wageningen: Veenman & Sons, 1929.

Without practical examples this, and many other publications on the Samaveda, 
still remain largely incomprehensible.
Hence the necessity either to travel to India and study the Sama chant in situ,
or to refer in addition to:

https://vimeo.com/channels/vedicritual
and more specifically to
https://vimeo.com/channels/vedicritual/722739138

Vaidikas in Bucharest 2010 - edited Paris 2022
Pdt. Chaitanya N. Kale and Pdt. Mukund R. Joshi (of the rare Rāṇāyanīya school 
of the Sāmaveda) give a presentation:
*The mnemotechniques and traditional recitation of the Vedic Samhitas (RV and 
SV)*
Bucharest, 22 September 2010.
A. Recitation of some well-known Rgvedic mantras (their precise identification 
is left as an exercise to students of the Vedas) -- 00:30;
B. RV 1.164.50 in samhita, pada and krama patha -- 04:25;
C. Samavedic mantras and chant --
07:25 intro;
08:25 recitation of Purvarcika, SV 1.1-10;
10:25 chant on the basis of SV 1.139: together with text plus its musical 
notation.

All best,
Jan

On Sun, 28 Jan 2024 at 10:12, Asko Parpola via INDOLOGY 
<[email protected]<mailto:[email protected]>> wrote:
Dear François, See:

Howard, Wayne, 1977. Sāmavedic  chant. New Haven: Yale University Press. xxv, 
572 pp., 48 ill., 8 tables.
Howard, Wayne, 1988. Decipherment of the musical notation of the Jaiminīyas. 
With a foreword by Asko Parpola. (Studia Orientalia, 63.) Helsinki: Finnish 
Oriental Society. xv, 330 pp.
downloadable at https://journal.fi/store/issue/view/3442.
Falk, Harry, 1993. Die beiden Notationen der sāmavedischen svaras. Berliner 
Indologische Studien 7: 103-107.

With best wishes, Asko

On 27. Jan 2024, at 21.09, François Voegeli via INDOLOGY 
<[email protected]<mailto:[email protected]>> wrote:

Dear Members of the List,

Where can I find a good, concise and understandable explanation of the 
sāmavedic musical notation?

I found some rather brief or cryptic comments on the matter in Renou's "Inde 
classique" § 547-548 and Burnell (Introduction to the Ārṣeya Brāhmaṇa, p. 
xxvi-xxvii), but these are not sufficient for my purpose (which is to give the 
best possible answer to a student's question).

This doesn't need to be exhaustive. A good and simple description of the 
Jaiminīya's way, for example, would be enough.

Thanks in advance,

F. Voegeli

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--
Jan E.M. Houben
Directeur d'Études, Professor of South Asian History and Philology
Sources et histoire de la tradition sanskrite
École Pratique des Hautes Études (EPHE, Paris Sciences et Lettres)
Sciences historiques et philologiques
Groupe de recherches en études indiennes (EA 2120)
johannes.houben [at] ephe.psl.eu<mailto:[email protected]>
https://ephe-sorbonne.academia.edu/JanEMHouben
https://www.classicalindia.info<https://www.classicalindia.info/>
LabEx Hastec -- L'Inde Classique augmentée: construction, transmission
     et transformations d'un savoir scientifique

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Christophe Vielle<https://uclouvain.be/en/directories/christophe.vielle>
Louvain-la-Neuve







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