I meant to write: Are the superscripts (1's and 2's) on this partial image of a manuscript page on the online lesson 8 of the Maurer Sanskrit text , Samaveda musical notation or something else. https://thesanskritlanguage.weebly.com/lesson-8. html#:~:text=https%3A//thesanskritlanguage.weebly.com/lesson%2D8.html
Harry Spier On Fri, May 24, 2024 at 8:09 AM Harry Spier <[email protected]> wrote: > Are the subscripts (1's and 2') in this partial manuscript page image from > lesson 8 of the online Maurer Sanskrit text lessons samaveda musical > notation or something else. > > https://thesanskritlanguage.weebly.com/lesson-8.html#:~:text=https%3A//thesanskritlanguage.weebly.com/lesson%2D8.html > > Harry Spier > > > On Fri, May 24, 2024 at 3:41 AM Christophe Vielle via INDOLOGY < > [email protected]> wrote: > >> I recently noticed this material put on Archive.org <http://archive.org/> >> (and >> also available on sanskritdocuments.org): >> >> https://archive.org/details/sAmagAnam/Samaveda_Samams_Decoding_PR_Iyer/ >> Samagana (sAmagAnam सामगानम्) are lines for chanting with musical notes. >> These lines have no relation with the lines of saamaveda Samhita. >> Saamagaanam is not singing of the samhita. We present here first portions >> of SAmagAna in Malayalam script, handwritten manuscripts with svaras >> prepared by P R Iyer (iyerpr49 at gmail) communicated in January 2021. >> Linked from https://sanskritdocuments.org/doc_veda >> >> The audio clips of the Samaveda Ganam are available at >> https://iish.org/sama-veda/ >> The text in the PDF files has the corresponding audio clip number and >> minute:seconds time stamp on the left side of the text in each PDF file. >> By clip number 24, audios of Grama gaanam (GG) and Aranyaka gaanam(AG) >> are completed. >> The remaining 40 audio clips are for Uha gaanam and Uhya gaanam. >> Uha gaanam and Uhya gaanam text is really massive actually intimidating >> and error prone. Those are not prepared here, and there is no plan to post >> them. >> >> The document Samaveda_Samams_Decoding_PR_Iyer.pdf will help the reader to >> chant saamams musically. >> >> Another file Secrets_of_gUDhAkSharams_of_sAmaveda_saMhitA_PRIyer.pdf >> will reveal some Secrets of gUDhAkSharams of_ sAmaveda saMhitA. >> >> For information, all Samaveda Samhita files in Malayalam are available at >> >> https://archive.org/details/samaveda-malayalam-0001-0114-Agneyam_PR-Iyer/Samaveda_Malayalam_0001-0114_Agneyam_PR_Iyer >> Samaveda Samhita Kauthuma Samhita in Malayalam handwritten manuscripts >> with Samaveda svaras prepared by P R Iyer (iyerpr49 at gmail) communicated >> in October 2020. Linked from https://sanskritdocuments.org/doc_veda >> >> There is also by the same >> >> https://archive.org/details/rigveda-malayalam-01-001-019-a-1.1-pr-iyer/Rigveda_Malayalam_01_001-019_A1.1_PR_Iyer/ >> Rigveda Samhita in Malayalam handwritten manuscripts with Vedic svaras >> (anudAtta, svarita, 1 1/2, and dIrgha svarita) prepared by P R Iyer >> (iyerpr49 at gmail) communicated in August 2020. The files are arranged >> with maNDala, sUkta range, and aShTakas.adhyAya. Linked from >> https://sanskritdocuments.org/doc_veda >> >> >> ––––––––––––––––––– >> >> Le 29 janv. 2024 à 17:55, Jan E.M. Houben via INDOLOGY < >> [email protected]> a écrit : >> >> Dear François, >> >> Since you want to give a reply to your student -- Asko: happy to know >> that this important publication of Wayne Howard has been generously made >> available at the Studia Orientalia website -- you may consider in addition >> to refer him to: >> >> J.M. van der Hoogt: >> The Vedic Chant Studied in its Textual and Melodic Form. >> (Concerns mainly the Kauthuma school of Samaveda.) >> Dissertation at the University of Amsterdam (prepared under the direction >> of Barend Faddegon). >> Wageningen: Veenman & Sons, 1929. >> >> Without practical examples this, and many other publications on the >> Samaveda, still remain largely incomprehensible. >> Hence the necessity either to travel to India and study the Sama chant in >> situ, >> or to refer in addition to: >> >> https://vimeo.com/channels/vedicritual >> and more specifically to >> https://vimeo.com/channels/vedicritual/722739138 >> >> Vaidikas in Bucharest 2010 - edited Paris 2022 >> Pdt. Chaitanya N. Kale and Pdt. Mukund R. Joshi (of the rare Rāṇāyanīya >> school of the Sāmaveda) give a presentation: >> *The mnemotechniques and traditional recitation of the Vedic Samhitas (RV >> and SV)* >> Bucharest, 22 September 2010. >> A. Recitation of some well-known Rgvedic mantras (their precise >> identification is left as an exercise to students of the Vedas) -- 00:30; >> B. RV 1.164.50 in samhita, pada and krama patha -- 04:25; >> C. Samavedic mantras and chant -- >> 07:25 intro; >> 08:25 recitation of Purvarcika, SV 1.1-10; >> 10:25 chant on the basis of SV 1.139: together with text plus its musical >> notation. >> >> All best, >> Jan >> >> On Sun, 28 Jan 2024 at 10:12, Asko Parpola via INDOLOGY < >> [email protected]> wrote: >> >>> Dear François, See: >>> >>> Howard, Wayne, 1977. Sāmavedic chant. New Haven: Yale University Press. >>> xxv, 572 pp., 48 ill., 8 tables. >>> Howard, Wayne, 1988. Decipherment of the musical notation of the >>> Jaiminīyas. With a foreword by Asko Parpola. (Studia Orientalia, 63.) >>> Helsinki: Finnish Oriental Society. xv, 330 pp. >>> downloadable at https://journal.fi/store/issue/view/3442. >>> Falk, Harry, 1993. Die beiden Notationen der sāmavedischen svaras. >>> Berliner Indologische Studien 7: 103-107. >>> >>> With best wishes, Asko >>> >>> On 27. Jan 2024, at 21.09, François Voegeli via INDOLOGY < >>> [email protected]> wrote: >>> >>> Dear Members of the List, >>> >>> Where can I find a good, concise and understandable explanation of the >>> sāmavedic musical notation? >>> >>> I found some rather brief or cryptic comments on the matter in Renou's >>> "Inde classique" § 547-548 and Burnell (Introduction to the Ārṣeya >>> Brāhmaṇa, p. xxvi-xxvii), but these are not sufficient for my purpose >>> (which is to give the best possible answer to a student's question). >>> >>> This doesn't need to be exhaustive. A good and simple description of the >>> Jaiminīya's way, for example, would be enough. >>> >>> Thanks in advance, >>> >>> F. Voegeli >>> >>> _______________________________________________ >>> INDOLOGY mailing list >>> [email protected] >>> https://list.indology.info/mailman/listinfo/indology >>> >>> >>> >>> _______________________________________________ >>> INDOLOGY mailing list >>> [email protected] >>> https://list.indology.info/mailman/listinfo/indology >>> >> >> >> -- >> *Jan E.M. Houben* >> Directeur d'Études, Professor of South Asian History and Philology >> *Sources et histoire de la tradition sanskrite* >> École Pratique des Hautes Études (EPHE, Paris Sciences et Lettres) >> *Sciences historiques et philologiques * >> Groupe de recherches en études indiennes (EA 2120) >> *johannes.houben [at] ephe.psl.eu <[email protected]>* >> *https://ephe-sorbonne.academia.edu/JanEMHouben >> <https://ephe-sorbonne.academia.edu/JanEMHouben>* >> *https://www.classicalindia.info* <https://www.classicalindia.info/> >> LabEx Hastec -- *L'Inde Classique* augmentée: construction, transmission >> et transformations d'un savoir scientifique >> >> _______________________________________________ >> INDOLOGY mailing list >> [email protected] >> https://list.indology.info/mailman/listinfo/indology >> >> >> ––––––––––––––––––– >> Christophe Vielle <https://uclouvain.be/en/directories/christophe.vielle> >> Louvain-la-Neuve >> >> >> >> >> >> >> >> >> _______________________________________________ >> INDOLOGY mailing list >> [email protected] >> https://list.indology.info/mailman/listinfo/indology >> >
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