Dear Olena,

Your comment "the nirākāra-(jñāna-)vāda (advocated by the Naiyāyikas, the 
Mīmāṃsakas, the Jainas, and the Vaibhāṣika Buddhists) can be called direct 
realism" very well illustrates the point I was making. Although these schools 
"can be called direct realism," it is not at all clear that they all mean the 
same thing. For the Vaibhāṣika Buddhists, in particular, what we "directly" 
perceive are primitive phenomena - the dharmas of color, sound, odor, etc. - 
and the pots and pans of everyday life are constructed on the basis of these 
primitives. This doesn't look much like what philosophers are usually speaking 
of when they discuss "direct realism." I also ask whether the Vaibhāṣika in 
fact described their own view as nirākāravāda, or whether that description was 
merely applied to them by later doxographers.

The doxographical categories, whether Indian (like nirākāra-(jñāna-)vāda) or 
Western (like "direct realism") may sometimes obscure more than they reveal.

Matthew T. Kapstein
Professor emeritus
Ecole Pratique des Hautes Etudes, PSL Research University, Paris

Associate
The University of Chicago Divinity School

https://ephe.academia.edu/MatthewKapstein

https://vajrabookshop.com/product/the-life-and-work-of-auleshi/

https://www.cornellpress.cornell.edu/book/9781501716218/tibetan-manuscripts-and-early-printed-books-volume-i/#bookTabs=1

https://www.cornellpress.cornell.edu/book/9781501771255/tibetan-manuscripts-and-early-printed-books-volume-ii/#bookTabs=1

https://brill.com/edcollbook/title/60949

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On Friday, June 14th, 2024 at 1:06 PM, Ołena Łucyszyna via INDOLOGY 
<[email protected]> wrote:

> Dear Lee Ling,
>
> the nirākāra-(jñāna-)vāda (advocated by the Naiyāyikas, the Mīmāṃsakas, the 
> Jainas, and the Vaibhāṣika Buddhists) can be called direct realism. The 
> earliest text that formulates the nirākāra standpoint and sparks the 
> nirākāra—sākāra debate is probably Śabara’s Śābarabhāṣya (to be more precise, 
> the Vṛttikāra’s commentary cited by Śabara in Śābarabhāṣya I, 1, 5). Śabara’s 
> commentator Kumārila Bhaṭṭa presents well-developed argumentation for the 
> nirākāra-vāda in his Ślokavārttika (V, 4, the Śūnyavāda section). These two 
> sources belong to Mīmāṃsā. The Nyāya source advocating the nirākāra-vāda I am 
> familiar with is Bhaṭṭa Jayanta’s Nyāyamañjarī.  For Bhaṭṭa Jayanta’s defence 
> of the nirākāra-vāda, see
>
> Kataoka, K. (2003). Critical edition of the Vijñānādvaitavāda section of 
> Bhaṭṭa Jayanta’s Nyāyamañjarī. 
> https://www2.lit.kyushu-u.ac.jp/~kkataoka/Kataoka/NMvijR.pdf.
> Watson, A., & Kataoka, K. (2010). Bhaṭṭa Jayanta’s refutation of the Yogācāra 
> Buddhist doctrine of Vijñānavāda: Annotated translation and analysis. South 
> Asian Classical Studies, 5, 285–352.
>
> This is one of many valuable publications I can recommend: Sinha, J. (1938). 
> Indian realism. Kegan Paul, Trench, Trübner & Co.
>
> The nirākāra-vāda can be called direct realism, but the sākāra-vāda has no 
> correspondence in Western philosophy. The sākāra-vāda encompasses two very 
> different theories: indirect realism (representationalism) and phenomenalism.
>
> With best regards,
> Olena
> --
> [Ołena Łucyszyna, Dr. habil., Professor of the 
> Institute](http://www.iksiopan.pl/index.php/en/structure/research-staff/867-olena-lucyszyna-phd-dr-habil)
> of Mediterranean and Oriental Cultures
> Polish Academy of Sciences
> Nowy Świat 72
> 00-330 Warsaw
> ORCID: https://orcid.org/0000-0001-6972-649X
>
> ---------------------------------------------------------------
>
> Od: INDOLOGY <[email protected]> w imieniu użytkownika Lee 
> Ling Ting via INDOLOGY <[email protected]>
> Wysłane: piątek, 14 czerwca 2024 10:06
> Do: Indology List <[email protected]>
> Temat: [INDOLOGY] Direct Realism of Nyāya
>
> Dear members of the list,
>
> Greetings!
> I have a question to ask.
> What are some of the earliest Nyāya sources that  explicitly spell outthat 
> Naiyāyikas uphold direct realism (not just realism)? I'd appreciate it if you 
> could point me in the right direction.
> Thank you!
>
> Best regards,
> Lee Ling
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