<<So, my personal "labeling" system (I can already hear the screams from
beyond the web) is:>>

No screaming here, Laurent...I always find this sort of exercise
interesting. I'll add a comment or two:

<<* Up to Blue it's folk (LOTC, Clouds, FTR, etc)>>

Joni would of course beat you over the head with an ugly stick to hear you
call her early work "folk". I don't necessarily disagree, but I'll say that
FTR comes AFTER Blue, and I say that not to nit-pick but rather to
distinguish it from that group. FTR is a definite bridge between the
'solitary' Joni (often playing and singing unaccompanied) of the first
records and the 'collaborative' Joni where she would find other players who
could fill out her musical pallette with other colors. FTR retains the
confessionalism of Blue while musically paving the way for the "lite-jazz"
feel of C&S.

<<* DJRD: she ventures into classical>>

I'd love to hear you expand on this...while she expands the 'symphonic'
compositional style of "Judgement" & "Down To You", DJRD is also a further
exploration of world music and giving her supporting players more freedoms
to take the music to new places. Really difficult to break this one down
into a brief phrase...

<<* Mingus: she ventures into jazz>>

I would say she did this initially with HOSL, Mingus is where she dives
full in to the jazz mode without looking back or regret.

Additionally, I would add Miles of Aisles as the exclamation mark ending
her "singer/songwriter" period and beginning her "composer" period. Also
puts new spins on some of her older songs on her first live record, showing
that she's more interested in moving forward than being a time capsule.

And I wouldn't lump NRH in with CMIAR...to me there's a definite line of
demarcation between the false commercial attempt of CMIAR and her return to
roots songwriting in NRH.

Bob

NP: Ben Harper, "Strawberry Fields Forever"



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