As much as I love Joni (more than ever with the release
of T'LOG), might I suggest that, beginning with WTRF,
she has written some lyrics unworthy of her great talent?

Am I allowed to be cheeky? Will I be attacked for this?
No matter; here goes.

WTRF
It's really the production that drives me crazy on this 
record (Joni is BURIED), but this lyric from MAN TO
MAN makes me shudder:
"I was scared / I thought / Oh--I hope he can care-- /
I sure hope I can care / I hope we can really care / And
share woman to man."
This from a woman who wrote: "Now I am surf rising /
Now parched ribs of sand at his side" ???

The less said about SOLID LOVE and
UNDERNEATH the better.

Thank God for CHINESE, WTRF, MOON, LOVE.

DED
Though I think the THREE GREAT is a flawed
masterpiece (again, the production), this drives
me mad: "Artifice, brutality and innocence /
Artifice and innocence." Huh? What happened to
"brutality"?

FICTION and TAX FREE: Cliche after cliche after cliche.

ETHIOPIA: Unfortunately marred by "Famine
phantoms at the garden gate."

My problem with DED overall is that Joni is
often writing GENERALLY -- when her
great strength is writing SPECIFICS. You
know? And I want to yell: "Get off the couch,
Joni, turn off the boob tube and get out there
in the world. You're not OBSERVING." Plus,
I really miss her descriptions of the natural 
world--always so beautiful.

Thank God for IMPOSSIBLE (but lose
the synth, please) and LUCKY GIRL.

CMIARS
NUMBER ONE, SNAKES AND LADDERS
(which I actually like), REOCCURING: 
Been there, done that.

TEA LEAF: Such a lovely story; such a
nothing melody. Shame.

Thank God for MY SECRET PLACE,
BLACK WINGS and A BIRD.

NRH
WINDFALL: Beneath you, Joni. I thought you
didn't want to bore us with songs about
"rich people's problems." 

COME IN: Too wordy by half; uninteresting
melody.

Thank God for: NRH, PASSION PLAY, 
CHEROKEE, SLOUCHING, NOTHING,
TWO GREY ROOMS.

TI
There's only one thing that drives me
up the wall, from BORDERLINE
(which I find a bit of a bore, I'm
afraid): "You snipe so steady / You
snub so snide-- / So ripe and ready /
To diminish and deride!" A little
illiteration goes a long way.

Thank God for: everything else!

TTT
LEAD BALLOON, TTT: Beneath
you, my dear.

NO APOLOGIES: Sorry, but 
doesn't hang together.

HARLEM: Begs for one more verse!

Thank God for LOVES PUTS ON, 
CRAZY CRIES (though I liked it
better as LOVE'S CRIES), STAY
IN TOUCH, FACE LIFT.

There, I got that off my chest.

Thanks for listening.

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