Indeed... And sometimes there is something to be said for doing stuff
'wrong', by which I mean experimenting with EQ, compressors, whatever
it is, as you can often discover some pretty evil (in a good way
hopefully), sounds and unusual effects by stretching the use of the
tools at our disposal to and beyond their intended function...

Mark

On 13/07/2010, Chris Belle <[email protected]> wrote:
> Well, what ever works for you and gets you by is right 'grin'.
>
> At 08:05 AM 7/13/2010, you wrote:
>>HI,
>>
>>I can't quite remember the biological explination for this (I've an
>>accademic background in human genetics and biology rather than audio
>>stuff which is just a passtime)... But there is a strange thing you
>>have to remember in terms of the human ear's perception of sound,
>>which means just relying on meters and readings digitally given inside
>>something like Sonar won't always help:
>>
>>Human hearing basically hears higher frequencies as being louder, even
>>when at the same absolute 'volume' as lower ffrequencies. I now have a
>>vague recollection that the biological explination for this is that
>>hearing is specifically 'tuned in' to frequencies roughly about the
>>frequencies of human speech. Anyhow, the upshot of which is that I
>>think most people notice more easily when there is a lack of high
>>frequencies/trebble moreso than they do if its the very low 'sub'
>>frequencies that arn't there... I guess this also helps explain why it
>>sounds so dredful when you hear a car pass down the street blasting
>>music out with its windows closed.... Only the low frequencies escape
>>from the car as they've larger wavelengths, whilst the higher
>>frequencies with their shorter wavelengths get blocked and muffled
>>before they can escape...
>>
>>Not quite sure what I'm trying to add here to the discussion, but I
>>guess to say I think this is probably the reason why cutting out very
>>high frequencies in a simular way to what is often useful/good for low
>>frequencies, produces a result that just 'sounds wrong'... This seems
>>to be the case even when they're high frequencies theoretically above
>>the limit of human hearing; again I guess harmonics comes into play
>>with that as well to a certain extent...
>>
>>Personallly though I can find this quite tricky at times as my hearing
>>is lacking certain frequencies (which differ between my ears), but to
>>some extent its possible for me to get round this not so much by just
>>listening to the tune I'm working on, but by compairing it to other
>>commercial songs, and that can help me judge when I've done some
>>boosting or cutting in my own mix, which is less to do with making it
>>sound better, and more to do with myself compesating for my dodgy
>>hearing by altering the overall EQ of the song...
>>
>>Mark
>>
>>On 13/07/2010, Chris Belle <[email protected]> wrote:
>> > Read the second part of his message, he mentioned both.
>> >
>> > At 11:31 PM 7/12/2010, you wrote:
>> >>...He said high pass.
>> >>On 7/12/2010 9:22 PM, Chris Belle wrote:
>> >>>I agree about the low pass filters,
>> >>>unless I'm going for a low fi sound on purpuse, because even on a
>> >>>voice chopping off too much of the top end makes it sound yucky.
>> >>>
>> >>>Like a library of congress talking book tape 'smile'.
>> >>>
>> >>>At 07:06 AM 7/12/2010, you wrote:
>> >>>>I often  tend to do it quite similar I think... Not sure how
>> >>>>'authodox' it is, but my useual approach is to stick the track or bus
>> >>>>EQ on, and put a 'high pass' filter on, and starting from the bottom
>> >>>>raise the frequency until I just* notice its cut out a bit of audible
>> >>>>sound; basically filtering off the frequencies that people either
>> >>>>can't hear, or don't have the speakers to be able to reproduce.
>> >>>>
>> >>>>Having said that, I can definately hear down to 20 HZ on my monitors,
>> >>>>and on my larger HiFi speakers, but its just not there at all on my
>> >>>>little HiFi speakers or my small monitor speakers (an early purchase
>> >>>>on route to the somewhat better set-up I have now)...
>> >>>>
>> >>>>I've also tried the same with putting a low pass filter on, and
>> >>>>starting at a high frequency moving down, but I just don't like the
>> >>>>sound when your missing even the very high frequencies (though again
>> >>>>I'm guessing much of what you hear as you say is the harmonics of
>> >>>>audio with frequencies  above 22 or 23 KHZ - still supprized I can
>> >>>>hear the high frequences now I'm getting a little* older...)
>> >>>>
>> >>>>Actually, there were some good articles and guides about using EQ in
>> >>>>Sound on Sound magazine (which are free online as they're oldish
>> >>>>articles), and also on audio tuts (think that is spelt right). :- I
>> >>>>sometimes go back to these from time to time just to remind myself,
>> >>>>especially when I can't achieve what I want with an EQ; they've got
>> >>>>good articles on compression and limiting too, and no doubt other FX
>> >>>>that we use.
>> >>>>
>> >>>>Mark
>> >>>>
>> >>>>On 12/07/2010, Chris Belle <[email protected]> wrote:
>> >>>> > Using a high pass filter to cut out inaudible frequencies and then
>> >>>> > boosting the useable ones with a shelf
>> >>>> > is an excellent way to thump the house with kick-ass bass without
>> >>>> > eating up all the headroom in your mix.
>> >>>> >
>> >>>> > A good multi-band compressor and maybe a harmonic re-enforcement
>> >>>> > can
>> >>>> > do the rest.
>> >>>> >
>> >>>> > For for most music I do,
>> >>>> > I don't need that much low end bass, it's not abou the fundamental
>> >>>> > frequencies but the harmonics anyway,
>> >>>> > even high end decent monitor speakers don't generally rate down
>> >>>> to 20 hertz,
>> >>>> > because you just don't have that much useable stuf down there.
>> >>>> >
>> >>>> >
>> >>>> > At 04:47 PM 7/11/2010, you wrote:
>> >>>> >>Having played about with EQ a fair bit within sonar on my
>> >>>> >> half-decent
>> >>>> >>Alesis prolinear monitors, and even with my less than perfect
>> >>>> >> hearing
>> >>>> >>these days, I can hear down to about 20 HZ,  but as said, once down
>> >>>> >>any further than that its more a question of 'feeling' the
>> >>>> >> vibrations
>> >>>> >>rather than 'hearing' them.
>> >>>> >>
>> >>>> >>Actually it quickly becomes easier to hear the doors and various
>> >>>> >>instruments in my room start vibrating once you go down below 20 HZ
>> >>>> >> or
>> >>>> >>thereabouts.
>> >>>> >>
>> >>>> >>I often tend to put a filter on to take out most frequencies below
>> >>>> >>about 27 HZ as they take up a lot of headroom in the mix, and
>> >>>> >> seeing
>> >>>> >>as how most people can't hear the frequencies down there (either
>> >>>> >>because of their hearing, or as is more often the case, because of
>> >>>> >>poor speakers they're using.), your not really cutting anything out
>> >>>> >> of
>> >>>> >>the mix.
>> >>>> >>
>> >>>> >>Mark
>> >>>> >>
>> >>>> >>On 11/07/2010, Drew <[email protected]> wrote:
>> >>>> >> > k=killo. killo=a thousand. A thousand=1k!
>> >>>> >> > The human ear can only hear as low as 20HZ; below that you
>> >>>> start getting
>> >>>> >> > into the fundamental molecular bonds and it's more a vibration
>> >>>> >> > than
>> >>>> >> > a
>> >>>> >> > sound; rather dangerous ones at those levels, actually.
>> >>>> >> > On 7/11/2010 1:08 PM, Blake Hardin wrote:
>> >>>> >> >> Hi all, been going through the golden ears program and i
>> >>>> was wondering
>> >>>> >> >> is there a reason why he goes from 31 hz, 63 hz, 125 hz, 250
>> >>>> >> >> hz,
>> >>>> >> >> 500
>> >>>> >> >> hz, 1 KHZ, 2 KHZ, 4 KHZ and so on? What i mean is there an
>> >>>> order of hz
>> >>>> >> >> and khz that needs to be memorized so to speak? And is there
>> >>>> >> >> any
>> >>>> >> >> reason why he is just doubling the numbers? What is the
>> >>>> lowest HZ that
>> >>>> >> >> you can go down to that a sub will pick up? The lowest i have
>> >>>> >> >> seen
>> >>>> >> >> is
>> >>>> >> >> i believe 27 hz or maybe 31 hz. Is there not a 1 HZ? or a 10
>> >>>> >> >> HZ?
>> >>>> >> >> lol
>> >>>> >> >> Im guessing you cant go down that low? Thanks.
>> >>>> >> >>
>> >>>> >> >> _______________________________________________
>> >>>> >> >> Find JSonar and Sonar FAQs, articles, guides and downloads at
>> >>>> >> >> jsonar.org.
>> >>>> >> >>
>> >>>> >> >> Jsonar mailing list
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>> >>>> >> >>
>> >>>> >> >
>> >>>> >> >
>> >>>> >> > _______________________________________________
>> >>>> >> > Find JSonar and Sonar FAQs, articles, guides and downloads at
>> >>>> >> > jsonar.org.
>> >>>> >> >
>> >>>> >> > Jsonar mailing list
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>> >>>> >>
>> >>>> >>
>> >>>> >>--
>> >>>> >>Mark Faben
>> >>>> >>
>> >>>> >>_______________________________________________
>> >>>> >>Find JSonar and Sonar FAQs, articles, guides and downloads at
>> >>>> >> jsonar.org.
>> >>>> >>
>> >>>> >>Jsonar mailing list
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>> >>>> >
>> >>>> >
>> >>>> >
>> >>>> >          WARNING!!!
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>> >>>> > _______________________________________________
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>> >>>>--
>> >>>>Mark Faben
>> >>>>
>> >>>>_______________________________________________
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>> >>_______________________________________________
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>> > _______________________________________________
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>>
>>--
>>Mark Faben
>>
>>_______________________________________________
>>Find JSonar and Sonar FAQs, articles, guides and downloads at jsonar.org.
>>
>>Jsonar mailing list
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>
>
>
>          WARNING!!!
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> overly politically correct world view could induce cursing, abusive
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> The sender takes no responsibility for mis-interpretation or
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> or imagined from said phrases.
> The receiver of any such email containing such phrases is solely
> responsible for good
> interpretation and intelligent deployment of subsequent responses to
> the above communication.
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>
> _______________________________________________
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-- 
Mark Faben

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