nuhun lee infona. On Sat, Aug 28, 2010 at 11:17 AM, Roslee Kartawi <[email protected]>wrote:
> > > TEH...??? Teh Boh atau Teh Lipton atau Teh Tarik .... kah kah kah > Canda .... > > Abang MH, maaflah sebab saya kurang mahir mengenai PANTUN, SYAIR dan > GURINDAM > Lee hanya mempelajari Kesusasteraan Melayu semasa di Menengah 6 ( A Level) > sahaja dan tidak diteruskan semasa menuntut di Universiti Malaya dan semasa > di Menengan 4 & 5 (O Level) saya dalam aliran sains. > > Di sini saya cuba menjelaskan di antara perbezaan PANTUN, SYAIR dan > GURINDAM yang terdapat dalam Kesusasteraan Melayu (refresh my memory) ha ha > ha > > 1. PANTUN > > Untuk menyatakan curahan hati > > A. Tiap baris terdiri daripada 8-12 suku kata > B. Tiap bait terdiri daripada 4 baris > C. Rimanya: a b a b > D. Baris 1 dan 2 merupakan sampiran > E. Baris 3 dan 4 merupakan isi > F. Pantun 2 rangkap rimanya a a > > CONTOH: > > Elok rupanya pohon belimbing, > Tumbuh dekat pohon mangga, > Elok rupanya berbini sumbing, > Biar marah tertawa juga. > > Kah kah kah kah ... > > 2. SYAIR > > Untuk melukiskan dan menceritakan berbagai cerita. > > A. Setiap bait terdiri daripada 4 baris > B. Tiap baris terdiri daripada 8-12 suku kata > C. Rima akhir sama; a a a a > D. Keempatnya merupakan rangkain cerita, tiada sampiran > > CONTOH: > > * Seri Negeri gelaran diberi. > Sebuah pulau cantik berseri; > Bernaung dibawah sebuah negeri, > Raja berdaulat Paduka Seri. .......( rangkap pertama) > > ** Lautnya biru pantainya indah, > Makam Mahsuri lagenda sejarah; > Puteri Melayu tak mudah menyerah, > Tujuh keturunan dimakan sumpah. ...(rangkap kedua)* > > * Pulau lagenda dimakan sumpah, > Tujuh keturunan tamatlah sudah; > Kini makmur melimpah ruah, > Semua penghuni tersenyum megah. ....(rangkap ketiga)* > > 3. GURINDAM > > A. Tiap Bait terdiri 2 Baris > B. Taip baris 10-14 suku kata > C. Rimanya; a a > D. Terdiri daripada kalimat tunggal yang membentuk majemuk > E. Baris 1 sebab atau alasan; manakala baris 2 akibatnya atau balasannya > F. Isinya nasihat > > CONTOH: > > Kurang pikir, kurang siasat, > Kelak diri mu pasti tersesat. > > Jika kena penyakit kikir, > Sanak saudara akan menyingkir. > > Pikir dulu sebelum berkata, > Supaya terelak silang sengketa. > > Salam > > > > > --- On *Thu, 26/8/10, mh <[email protected]>* wrote: > > > From: mh <[email protected]> > Subject: Re: [kisunda] Sastra - Pantun Sunda > To: [email protected] > Date: Thursday, 26 August, 2010, 5:26 PM > > > > > > > On Thu, Aug 26, 2010 at 2:09 PM, Roslee Kartawi > <[email protected]<http://mc/[email protected]> > > wrote: > > > > OK .... > Tetapi Sastera Melayu ada kategori Syair dan Gurindam > Dalam Syair dan Gurindam bahasa rima akhirnya sama seperti dalam pantun > Namun Syair dan Gurindam disampaikan dalam bentuk lagu > Asasnya tetap satu yakni daripada pantun jika dilihat daripada penyampaian > dan bahasa dalam Syair dan Gurindam > > > cing kumaha contona syair jeung gurindam teh? > > > > --- On *Thu, 26/8/10, mh > <[email protected]<http://mc/[email protected]> > >* wrote: > > > From: mh <[email protected] <http://mc/[email protected]>> > Subject: Re: [kisunda] Sastra - Pantun Sunda > To: [email protected] <http://mc/[email protected]> > Date: Thursday, 26 August, 2010, 1:54 PM > > > > > lee, pantun sunda beda bentukna jeung pantun malayu. > pantun sunda mah, bentukna prosa, biasa sok dikawihkeun dipirig ku kacapi. > > sastra sunda nu jiga pantun malayu, disebutna sisindiran, jiga kieu geura: > Aya roda di tanjakan, > katinggang ku pangpung jengkol. > Aya ronda gogoakan, > katinggang ku panakol kohkol. aya listrik di masigit, > caangna kamana-mana. > aya istri jangkung alit, > cangkengna kamana-manabandingkeun jeung pantun malayu: > > Sirih junjung sirih pinang > Sirih kami susun bertingkat > Adat dijunjung pusaka dikenang > Bangsa berbudi hidup muafakat > > Sirih junjung sirih pinang > Sirih kuning diberi nama > Adat dijunjung pusaka dikenang > Hidup berbudi muafakat bersama > > > On Thu, Aug 26, 2010 at 1:10 PM, Roslee Kartawi > <[email protected]<http://mc/[email protected]> > > wrote: > > > > Thanks for the information > > > > > --- On *Tue, 24/8/10, mh > <[email protected]<http://mc/[email protected]> > >* wrote: > > > From: mh <[email protected] <http://mc/[email protected]>> > Subject: [kisunda] Sastra - Pantun Sunda > To: "Ki Sunda" > <[email protected]<http://mc/[email protected]> > > > Date: Tuesday, 24 August, 2010, 3:11 PM > > > > > PANTUN SUNDA > by Richadiana > Kartakusuma<http://www.facebook.com/profile.php?id=1537983874>on Tuesday, > August 24, 2010 at 1:17pm > > *Pantun Sunda* > > Pantun Sunda is a type of Sundanese oral narrative performance interspersed > with songs and music played on a kacapi, a kind of zither. A pantun used to > be recited during an evening-length performance. A single performer relates > the tales the story of a hero's initiation; the protagonist leaves his > kingdom in order to seek experiences, beautiful princesses to become his > wife, power, other kingdoms to subject, the realization of a dream (Rosidi > 1984a:143); after having succeeded in reaching his goal he finally returns > to his kingdom. Alongside memories of historical events the stories often > contain mythical elements. Pantun were not written down, the bards often > being illiterate, in many case blind. Originally they had a sacral > character, as was clear from the offerings, until recently made at the > beginning of the recitation and also from the content of the introductory > part of the story, called rajah; this was an invocatory song, imploring the > help of divine figures to ward off bad influences. The form of the pantun > was not strictly fixed; however, the dominant language from employed in most > pantun was the octosyllabic verse. For a detailed description of the nature > and form of a Sundanese pantun you are referred to Eringa (1949), to > Hermansoemantri (1977-79). Currently there are not so many Pantun Sunda > shows because there is no regeneration for reserving the music genre > especially when radio has been a household appliance in West Java. > > > > *Transcription of pantun stories* > > Pantun being typically oral text, they were not written down in the > Sundanese literally tradition; only late in the nineteenth century were the > first pantun put down in writing, at first mainly on the initiative or > instigation of Western ( Dutch) person, in the beginning usually in > cacarakan script. After the establishment of Indonesia, Sundanese scholars > made important contributions to the study of pantun, by publishing more oral > texts as well as by critically investigating them. Special mention should be > made of a project by Ajip Rosidi who in the early seventies had a > considerable number of pantun recorded as they were performed by singers > from various areas in West Java (see Rosidi 1973). The recorded pantun was > transcribed and in stenciled form circulated in limited circle. Later on a > number of them were published in book form, such as Mundinglaya di Kusumah > (1986). An excellent study of the literally structure of the pantun was > written by Hermansoemantri (1977-79); Kartini et al. (1984) wrote a useful > comparative analysis on the plot of the pantun, based on a survey of 35 > pantun stories. A valuable work on the musical aspects of pantun > performances, based on extensive data collected in the field, was written by > A. N. Weintraub (1990). In the Sanghyang Siksakanda ng Karesian, dated 1518, > pantun are mentioned: "hayang nyaho di pantun ma: Langgalarang, Banyakcatra, > Siliwangi, Haturwangi, prepantun tanya" (if you want to know pantun, such as > Langgalarang, Banyakcatra, siliwangi, Haturwangi, ask the pantun singer, > Atja and Danasasmita 1981a:14). Throughout the ages many ancient elements > have been preserved, even though the content of the stories told and the > language used underwent changes and adaptations. Not only are there a number > of Arabic words present in many pantun texts, which in pre-Islamic Old > Sundanese text are lacking; the repertoire of present-day pantun singers > include Islamic tales as is clear from the list in Weintraub (1990:23-4). > > > > *List of Pantun Stories* > > Based on Budi Rahayu Tamsyah in his book "Kamus Istilah Tata Basa jeung > Sastra Sunda", there are pantun stories as follow: > > Ciung Wanara > > Lutung Kasarung > > Mundinglaya di Kusumah > > Aria Munding Jamparing > > Banyakcatra > > Badak Sangorah > > Badak Singa > > Bima Manggala > > Bima Wayang > > Budak Manjor > > Budug Basu /Sri Sadana / Sulanjana > > Bujang Pangalasan > > Burung Baok > > Buyut Orenyeng > > Dalima Wayang > > Demung Kalagan > > Deugdeug Pati Jaya Perang / Raden Deugdeug Pati Jaya Perang Prabu Sandap > Pakuan > > Gajah Lumantung > > Gantangan Wangi > > Hatur Wangi > > Jaka Susuruh > > Jalu Mantang > > Jaya Mangkurat > > Kembang Panyarikan / Pangeran Ratu Kembang Panyarikan > > Kidang Panandri > > Kidang Pananjung > > Kuda Gandar > > Kuda Lalean > > Kuda Malela > > Kuda Wangi > > Langla Larang > > Langga Sari > > Langon Sari > > Layung Kumendung > > Liman Jaya Mantri > > Lutung Leutik / Ratu Bungsu Karma Jaya > > Malang Sari > > Manggung Kusuma > > Matang Jaya > > Munding Jalingan > > Munding Kawangi > > Munding Kawati > > Munding Liman > > Munding Mintra > > Munding Sari Jaya Mantri > > Munding Wangi > > Nyi Sumur Bandung > > Paksi Keling / Wentang Gading > > Panambang Sari > > Panggung Karaton > > Parenggong Jaya > > Raden Mangprang di Kusumah > > Raden Tanjung > > Raden Tegal > > Rangga Sawung Galing > > Rangga Gading > > Rangga Katimpal > > Rangga Malela > > Rangga Sena > > Ratu Ayu > > Ratu Pakuan > > Ringgit Sari > > Senjaya Guru > > Siliwangi > > > http://www.facebook.com/notes/richadiana-kartakusuma/pantun-sunda/424613039474 > > > > > > > >
