Beunang nyalin tina blog-na Madrotter, ihwal Euis Komariah ceuk Andrew
Timar, urang Kanada.

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Euis Komariah, celebrated Sundanese singer of West Java dies at 62

Andrew Timar, Toronto, Canada
August 11, 2011

Indonesian media has reported the death at 62 of Euis Komariah, the
prominent West Javanese singer, gamelan degung player, recording
artist and teacher of traditional Sundanese music
http://www.inilahjabar.com/read/detail/1764122/ribuan-pelayat-antar-kepergian-euis-komariah

Ms Komariah died on Thursday (11/8/2011) at about 2 P.M. in Bandung,
West Java and was buried today at the family plot in her birthplace,
Cipadaulun, located in Majalaya village in the Bandung Regency, West
Java province. More than 1,000 mourners gathered at the Bandung
funeral home to view the deceased for the last time. A number of
prominent figures including artists and officials of the city of
Bandung and the provincial government of West Java attended the
departure of Ms Komariah from the funeral home to the cemetery.

Traveling by ambulance, the deceased was accompanied by her husband
Gugum Gumbira, the noted choreographer, composer, bandleader and
Jugala recording studio head. They have four daughters.

Ms Komariah’s four-decade career was almost exclusively focused on
what some consider ‘classical’ Sundanese vocal and instrumental
genres. Early in her career however she did venture for a few years
into the realm of popular songs accompanied by typical Western pop
combos of the time: guitar, drum kit, keyboards and bass, appearing on
LPs in that style.

She is best known today however as one of the leading proponents of
her generation of the Cianjuran style of Sundanese art song, releasing
dozens of LPs, cassettes, CDs in that capacity. She also sang on
Indonesian TV. Among her teachers were the leading female singers and
composers of the previous generation, such as the renowned Cianjuran
singer and composer Ibu Saodah. To her many students including those
from the USA, Japan and Europe, she was “Ibu”, a surrogate mother. Her
teaching manner was characterised by subtlety, depth, sweetness and
wisdom.

Though I met Ibu Euis only once, it was an important moment for me,
one that I treasure still. It was in March 2008 on the occasion of her
Cianjuran tembang sunda concert at the Western Front in Vancouver,
BC.http://front.bc.ca/newmusic/events/3145

I was invited to perform suling (vertically played bamboo ring flute)
with her and the virtuoso kacapi (18 string boat-shaped plucked
zither) player Gan-gan Garmana, with whom she was touring the USA. It
was my first formal tembang Sunda gig – and it proved to be a
veritable trial by fire. I did not get a set list until our single
rehearsal and sound-check the afternoon of what turned out to be an
evening concert comprised of 24 songs! To raise the ante even more,
the CBC radio recorded the live concert for national broadcast.

Ibu Euis proved every inch the consummate musician and diva I'd come
to love in her many recordings, though in person she was also
considerate and collegial. She relied on Pa Gan-gan to work out the
details of the song selection and arrangements with me. While I found
it surprising that she gave few directions to me personally, I felt
she set me free allowing me to do my best despite my evident
limitations in the demanding Cianjuran repertoire.

At the evening concert, Ibu Euis performed her songs with precision,
clarity and conviction, while I focused on playing my suling parts
correctly, trying not to get too fancy. My strategy was to generally
keep my tootling out of the way of the waves of her beautifully
rendered melody that was tied directly to an apparently bottomless
well of deeply lived and felt emotion.

The appreciative Vancouver audience responded with more than a few
damp eyes. By the end of the programme the air seemed still, filled
with emotion. Ibu Euis was visibly thrilled by the audience's
enthusiastic applause. After we took a second curtain call - meant
primarily for her – I received what felt like a major award when she
gave me a big full-body motherly hug back stage!

I'll always cherish the warm welcome to the tembang sunda family Ibu
extended that night to this Canadian newbie.

-----------------------
Andrew Timar
Freelance music journalist
Musician, Evergreen Club Contemporary Gamelan
Toronto, Canada


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