Oh!  The stories to tell!  
 
Two Maine lace makers went down to the Whipple House (Colonial Period  
historic property owned by the Ipswich Historical Society) to view lace  years 
ago.  The "curator" was contacted in advance, so we were  expected.
 
We were shown to an upper room, where short cuts of black Ipswich  Laces 
reconstructed years before by Michael Auclair, were  arranged on a dusty, 
sunny window sill.  They were in  dirty cellophane wraps, and there were 
silverfish present.   Horrors!  We'll never forget it.
 
Across the street was a Victorian era house, also owned by the Historical  
Society.  We went to take a look.  There was an elderly male  docent.  We 
were able to see some framed embroideries in the period rooms,  then asked if 
we could go upstairs.  The docent did not go with  us.  In the large hallway 
at the top of the stairs there was an arrangement  of antique toys.  There 
were antique embroidered samplers hung on the  walls.  Sun was pouring in 
the windows.  No thought to fading samplers  or to people handling the toys.
 
Historical property officers and volunteers change with the years.   This 
was a bad period, offering much to learn about levels of  responsibility.  
Yes, the New England Lace Group sometimes volunteers here,  but they would 
have no real say in what happens to the lace collection.
 
Since our visit, the lace collection from the late Michael  Auclair has 
been donated.  He was a personal friend of mine in New York in  the 1970-80's, 
a fellow member of the now-defunct Lace Guild of New York,  where we could 
meet the lace experts from New York's museums and visiting  lace scholars 
from around the world, and attend wonderful  lace conservation lectures.
 
A couple years ago, I went to the Library of Congress to see their  
examples of Ipswich Lace with a group that attended the International Old  
Lacers 
convention.  We were able to see the real things - lace examples  that were 
sent shortly after the Revolutionary War to illustrate a  lace "industry" in 
Ipswich and correspondence.  No other industry made  something that could be 
sent by mail to the new government.  The Library  showed us books, but they 
were rather dull.  The original  lace samples were worth seeing, but I 
think it is quite rare to bring them  out for viewing.  Three staff members 
were 
in the room to protect these  treasurers. 
 
"The Laces of Ipswich" by Marta Cotterell Raffel, 156 pages, University  
Press of New England, $25, is worth owning, if you are American.  In  addition 
to history and photographs, there are 6 lace prickings/patterns in  the 
book.  At time of publication there was a Arachne discussion about  the 
footsides of the lace being inconsistent, so be prepared for  that. 
 
There was an article in the OIDFA Bulletin 3 - 2010 about this  lace. 
 
Jeri Ames in  Maine USA
Lace and Embroidery Resource Center  
--------------------------------------------------------
 
I  visited the Ipswich Museum a couple years ago, and was disappointed.  I  
went without any prior arrangements....   I wonder what the Library  of 
Congress can provide.  I was on the IOLI Convention, Bethesda trip to  see the 
laces there ...but I don't know what an individual could see with  prior 
arrangement.   
Lyn in Lancaster, Pennsylvania,  USA

>Diane wrote:
>The Whipple House Museum in Ipswich is  supposed to have a collection of
>Ipswich lace.  Unfortunately they  don't have any photos on their website 
that
>I can find.  It's on  my bucket list to visit there some  day.
>http://ipswichmuseum.drupalgardens.com/exhibitions-collections/whipple-hous
e

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