On 08/09/12 10:17, Werner LEMBERG wrote:
due to the discussion about funny accidental placements in music
written for strings with scordatura, I had a closer look at the Rosary
Sonatas from Biber. As a result, I'm playing the 14th sonata with my
daughter in a concert[1], among other pieces :-)
Wonderful, wonderful music. Very best wishes for your concert. :-)
Actually, it's been in the back of my head for a while that those pieces could
be a great demo for Lilypond, particularly in respect of being able to generate
both written and sounding-pitched parts for violin from the same material
without any stupid "tricks".
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