Werner LEMBERG <w...@gnu.org> writes:

>> Actually, it's been in the back of my head for a while that those
>> pieces could be a great demo for Lilypond, particularly in respect
>> of being able to generate both written and sounding-pitched parts
>> for violin from the same material without any stupid "tricks".
>
> Indeed, typesetting the first few bars of one of the Biber sonatas,
> together with correct MIDI output, would yield a very nice example.

Three staffs: true pitch, scordatura, tablature.

Entry would be presumably in true pitch plus string number (where not in
"lowest terms").

-- 
David Kastrup


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