Hi Orm, > the biggest score so far for me is a piece for big orchestra, 6 > soloists, live-electronics and fixed media from last year.
This sounds great! Would love to see it, but the link didn’t work for me… =\ > considering the amount of source files Curious! For my 57-part orchestra piece, I only used one source file for the notes, and one each for the score and part(s). How do you break up all your files (beyond, I’m assuming, a notes-source file for each instrument), and what do you see as the big benefit(s) of having so many source files? > The only really painful part was the partcombiner This is a big one for me. I would love to see — and would be happy to help fund — a GUPPY (Grand Unified Partcombiner Project, Yay!) to tackle a rewrite from the ground up, taking into account all the recent advances in divisi writing (still only in openlilylib, I believe), etc. Cheers, Kieren. _______________________ Kieren MacMillan, composer www: <http://www.kierenmacmillan.info> email: i...@kierenmacmillan.info _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
