> > i want the stemlet to reach down towards the rest. How? > add an override like so: \override Stem.stemlet-length = 2 (or whatever value you prefer)
> How do i make custom rehersal marks? > When using \markup { ... } the whole score looses it layout and to add > insult it does not display any text. I must have done something wrong. > You have to replace the "\default" with your \markup {}. > > Bar 8) > Why does the double barline not exend equaly through both staffs? > This happens because the lower staff is smaller, so the double bar lines are closer together. I'm not sure how to fix this off the top of my head. > > Bar 37) > Why does it not show a double bar line? > The end of one system and the beginning of another represent the same moment in time, so you can only specify one barline (you have tried to specify two with a \break between them, which will not work). You need to use a barline that specifies both: \bar ".|:-||" should do what you want. > > And finally: I feel my score is a mess. How can i clean up/simplify my > input? Also, inputing this takes alot of time considering how long use on > inputing this in Sibelius (added as pfd). What can i do to speed this up? > Help and encouragement is much obliged. > I don't have much advice here. You already use some functions and repeat-unfold to simplify things (although you could use more of the unfold - for a whole system for example - bar checks are not necessary). I would probably have placed the layout requirements ( \break, \bar, and so on) in a global variable with spacer rests, which might have made it easier to write the bulk of the score with repeat-unfold. I've attached a version including a few of the fixes
\version "2.19.35" \header { title = "Bad Eye Bill" subtitle = "Dr. Hook" composer = "C.Buschmann" tagline = "" % removed } % Macro to print single slash rs = { \once \override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash \once \override Rest #'thickness = #0.48 \once \override Rest #'slope = #1.7 r4 } % Function to print a specified number of slashes comp = #(define-music-function (parser location count) ( integer?) #{ \override Rest #'stencil = #ly:percent-repeat-item-interface::beat-slash \override Rest #'thickness = #0.48 \override Rest #'slope = #1.7 \repeat unfold $count { r4 } \revert Rest #'stencil #} ) global = { \numericTimeSignature \time 4/4 \key a \major %\tempo 4=100 } chordNames = \chordmode { \global a1 d2 a d a b e a1 d2 a d a4 fis:m b e a2 a1 d2 a d a b e:7 a1 d2 a d a4 fis:m b e a2 a1 d2 a d a b e:7 a1 d2 a d a4 fis:m b e a1 a1 d2 a d a4 fis:m b e a2 a1 d2 a d a b e a1 d2 a d a4 fis:m b e a2 a1 d2 a d a b e:7 a1 d2 a d a4 fis:m b e a2 b4 e a } upper = \relative c' { \global \clef treble \set Score.markFormatter = #format-mark-box-alphabet \mark \markup { \box \bold \fontsize #2 "Intro" \italic \normalsize stildefinisjon } \override Stem.stemlet-length = 2 r8[ < e a cis >8] r[ < e a cis >] r[ < e a cis >] r[ < e a cis >] | r[ < fis a d >] r[ < fis a d >] r[ < e a cis >] r[ < e a cis >] | r[ < fis a d >] r < fis a d >] r[ < e a cis >] r[ < e a cis >] | r[ < fis b dis >] r[ < fis b dis >] r[ < gis b e >] r[ < gis b e >] | \break r[ < e a cis >] r[ < e a cis >] r[ < e a cis >] r[ < e a cis >] | r[ < fis a d >] r[ < fis a d >] r[ < e a cis >] r[ < e a cis >] | r[ < fis a d >] r[ < fis a d >] r[ < e a cis >] r[ < e a cis >] | r[ < fis b dis >] r[ < gis b e >] < a cis e >4 r \bar "||" \break \mark \default \comp4 | \comp4 | \comp4 | \comp4 | \break \comp4 | \comp4 | \comp4 | \rs \rs \rs r4 | \bar "||" \break \mark \default \comp4 | \comp4 | \comp4 | \comp4 | \break \comp4 | \comp4 | \comp4 | \time 2/4 \rs \rs \time 4/4 \rs r4 r2 | \bar "||" \break \mark \default \comp4 | \comp4 | \comp4 | \rs \rs \rs r4 | \bar "||" \break \mark \default \comp4 | \comp4 | \comp4 | \comp4 | \break \comp4 | \comp4 | \comp4 | \rs \rs \rs r4 | \bar ".|:-||" \break \repeat volta 2 { \mark \default \comp4 | \comp4 | \comp4 | \comp4 | \break \comp4 | \comp4 | \comp4 } \alternative{ { \comp4 } { \time 2/4 \rs \rs | \time 4/4 < a cis a' >-. < b d a' >-. < bis dis a' >8.-. < cis e a >16~ < cis e a >8 < a a' > | } } \bar "|." } lower = \relative c { \global \clef bass \magnifyStaff #5/7 a4 e' a,8. a16 b8 cis | d4 a' a,8. a16 a8 ais | d4 a' a,8. a16 a8 ais | b4 cis8 d e e fis gis | a4 e a, e' | d fis a,8. a16 b8 cis | d4 a' a,8. a16 fis'8 \override NoteHead.style = #'cross fis' | \revert NoteHead.style b, fis e b' a4 r | } \layout { \context { \ChordNames \override ChordName.font-family = #'roman \override ChordName.font-size = #0 } } \score { << \new ChordNames \chordNames << >> \new PianoStaff << \new Staff = "upper" \upper \new Staff = "lower" \lower >> >> }
_______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user