I just tried it.
Strangely, you still have to slightly extra-offset the LH key to get a
proper alignment.
~Pierre
2016-02-10 14:42 GMT+01:00 Pierre Perol-Schneider <
pierre.schneider.pa...@gmail.com>:
> Yep, much smarter Phil.
>
> 2016-02-10 14:40 GMT+01:00 Phil Holmes <m...@philholmes.net>:
>
>> Better would be to add \tweak X-extent #'(0 . 0) just before the C major
>> key sig in the right hand?
>>
>>
>> --
>> Phil Holmes
>>
>>
>> ----- Original Message ----- From: Pierre Perol-Schneider
>> To: N. Andrew Walsh
>> Cc: lilypond-user
>> Sent: Wednesday, February 10, 2016 1:19 PM
>> Subject: Re: "bitonal" key signatures
>>
>>
>>
>> ... but is probably not the "better" way!
>>
>>
>>
>> 2016-02-10 14:18 GMT+01:00 Pierre Perol-Schneider <
>> pierre.schneider.pa...@gmail.com>:
>>
>> Hi Andrew,
>>
>>
>> In lhMusic mes.2 try :
>> ...
>> \tweak X-extent #'(0 . 0)
>> \tweak extra-offset #'(-3 . 0)
>> \key es \major
>> ....
>>
>>
>> Cheers,
>>
>> Pierre
>>
>>
>>
>>
>> 2016-02-10 13:36 GMT+01:00 N. Andrew Walsh <n.andrew.wa...@gmail.com>:
>>
>> Hi List (again),
>>
>> here's another question, more general: I have a piano part in which the
>> upper voice is to have one key signature, the lower to retain another one
>> (namely, the right hand has \key c \major, while the left hand has \key es
>> \major, which was also declared at the start of the piece). Something like
>> this:
>>
>>
>> \version "2.19.36"
>>
>>
>>
>>
>> beambreakOn = {
>> \set subdivideBeams = ##t
>> \set baseMoment = #(ly:make-moment 1/8)
>> \set beatStructure = #'(2 2 2 2)
>> }
>>
>>
>> beambreakOff = {
>> \set subdivideBeams = ##f
>> \set baseMoment = #(ly:make-moment 1/8)
>> \set beatStructure = #'(2 2 2 2)
>> }
>>
>>
>> rhMusic = \relative c'' {
>> \key es \major
>> \time 4/8
>> r16 bes d bes d bes d bes |
>> \key c \major
>> \beambreakOn \tuplet 3/2 { es,\( f g } \tuplet 3/2 { a b cis } dis4\) |
>> }
>>
>>
>> lhMusic = \relative c {
>> \clef bass
>> \key es \major
>> \time 4/8
>> <<
>> { r16 d f d f d f d | }
>> \\
>> { bes2 | }
>> >>
>> \key es \major
>> <<
>> { es,16 bes' es bes g' d g d | }
>> \\
>> { es,2 | }
>> >>
>> }
>>
>>
>> \score {
>>
>>
>> \new PianoStaff <<
>> \new Staff = "RH" <<
>> \rhMusic
>> >>
>> \new Staff = "LH" <<
>> \lhMusic
>> >>
>> >>
>> }
>> ------------
>>
>> My issue is as follows: the engraver in charge of key signatures is
>> displacing that second "\key es \major" expression in the left hand,
>> presumably because there was already one in place from the beginning (or
>> perhaps because it's assuming a possible collision with the "\key c \major"
>> expression in the right hand). In either case, what I would prefer is that
>> both new key signatures are not displaced horizontally, so that the second
>> "\key es \major" is, in effect, merely a cautionary repetition of the one
>> from the start and aligned underneath the naturals of the "\key c \major"
>> expression in the right hand.
>>
>>
>>
>> Is there a better way to do this?
>>
>>
>> Cheers,
>>
>>
>> A
>>
>>
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>> lilypond-user@gnu.org
>> https://lists.gnu.org/mailman/listinfo/lilypond-user
>>
>>
>>
>>
>>
>>
>>
>>
>>
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>
>
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