> On 27 May 2016, at 11:36, Marc Hohl <m...@hohlart.de> wrote: > > Hi list, > > as there are already (partly very emotional) dicussions concerning > F# vs. Gb in another (hijacked) thread, > https://lists.gnu.org/archive/html/lilypond-user/2016-05/msg00418.html > I hope to get some information *without* starting a flame war ;-) > > I have the following chord played on a guitar, see the attached image. > > < c-sharp g-sharp b-sharp e' b'> > > It starts as a c minor chord with a major 7, so I'd call it cmmaj7, but > the added b' is the minor seventh. > > cm7maj7 does not look quite right, so should the b' be written as an > a'-doublesharp, to call it cmmaj7#13? > > Thanks in advance! > > Regards, > > Marc > <cmmaj7.png>_______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user
There’s no trace of C minor here, as far as I can see (no C natural, no E flat, no G natural) so I think I’d regarded it as a C sharp minor seventh with an added major seventh. It could be seen as part of a modified "Stairway to Heaven” cliché, with the descending C sharp, C natural, B natural, A sharp sequence on the D string. Michael _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
