Am 27.05.2016 um 14:20 schrieb Marc Hohl: >> Write the highest note as an a# and consider it as an added 13#. >> >> Write the upper notes as c-e-bf and interpret it as bitonal (C7 over >> csharp). > > Ok. If I include the g-sharp I got C7#5 over c#. Wow.
That'd be an option but I meant something different. Of course (as others have said) it's also depending on the context, that is on the actual voicing/instrumentation and the general kind of harmony the music seems to follow. What I meant is: Consider the (left hand?) c# g# as "c#" without specifying major/minor and the c e b# as C7. If I imagine this played on a piano(-like instrument) this could well be an appropriate description of what it sounds like. Best Urs -- Urs Liska www.openlilylib.org _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
