On Mon, Jul 18, 2016 at 11:22 AM, David Wright <lily...@lionunicorn.co.uk> wrote:
> On Mon 18 Jul 2016 at 08:23:21 (-0700), tisimst wrote: > > BGM & David, > > On Mon, Jul 18, 2016 at 8:35 AM, David Wright [via Lilypond] > > > If the material is sufficiently heterogeneous, it can > > > make sense to concatenate multiple scores. > > > > > > > True, but I'm pretty sure multiple \score blocks aren't needed here, but > > rather make the notes/lyrics sequential. > > You're quite right. But the way my mailboxes are arranged, > I was prejudiced by possible aversion to skips > http://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00343.html > and need for extra annotations > http://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00380.html > and thought we'd already come up with a solution like yours: > http://lists.gnu.org/archive/html/lilypond-user/2016-06/msg00350.html > ...or, rather, its predecessors. I get very confused about > whether to take account of previous context or treat every > thread as a fresh start. > > I thought the main problem was the accidental inclusion of the << >>. > Yes, it appears it might just be a accidental mis-use of outer << >> in this case instead of { } since it's obvious that the three sections were meant to be sequential and not simultaneous. > I found the correct usage of << >> and the way it interacts with \\ > to be one of the harder things to get my head around when I was > first learning LP. But that's an aside. > FWIW, in case anyone cares to know how I do things, when it comes to using \\ with << >>, I only use them in less complex, non-lyric-associated voices and even then it's only when I need something temporarily and there aren't ties/slurs/phrasing slurs/other spanners that I want to attach something to. In almost every other case, I explicitly use instantiate voices, like << { \voiceOne ... } \new Voice { \voiceTwo ... } >> so I know exactly where the voices start and stop. It almost always makes things clearer and easier to debug. Best, Abraham
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