first - thx for your help - much appreciated!
to clarify the context: it is 18th century, it is a "fantasy" - and in
other parts the stem direction clearly indicates the hand like here:
I think I'll stick in this case with Simon and the New Bach Edition..
But David, I'll clear up my \stemUp and Downs per your advice at aother
places in my code! Thx.
Joei
Am 04.05.2017 um 18:47 schrieb David Kastrup:
Simon Albrecht <simon.albre...@mail.de> writes:
Am 04.05.2017 um 18:13 schrieb Johannes Roeßler:
With the direction of the stems indicating the hand
I think in order to really judge it one needs more context. From what
time is the music, are you in touch with the composer, what kind of
editorial policies are imposed, … ?
If it were 18th century music, the voice notation and stem direction
would certainly not indicate hand distribution and turning the lower
two voices into chords of one voice would be a sensible editorial
decision (if I played it I’d probably distribute hands like that).
If it were 18th century music, mushing together separate voices into
chords would be a complete no-no. Even when played on a simplistic
one-manual keyboard (or the new-fangled pianoforte), the player would be
expected to keep the separate voices coherent or he could without loss
be replaced with an automaton.
Come on, don’t exaggerate. If they’re written as chords, an
intelligent player like you envisage would still recognise them as two
voices and play them appropriately.
I’m very much in favour of sticking with the original notation, but I
agree with Urs that that’s not really feasible here. So you have to
die one death: either change stem direction, change beaming, move it
on two staves, interlock beams in a very unpleasant way or write
chords. The New Bach Edition for example often went with the latter,
because with up to five homophonic voices on one staff not sharing any
stems everything else is not compatible with modern engraving.
Also, it depends on whether it’s a strict contrapunctal composition
like a fugue or not.
Best, Simon
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