Hello Mike, Excellent, thanks!
JM > Le 13 sept. 2017 à 10:27, Mike Solomon <m...@mikesolomon.org> a écrit : > > hm, my answer is a bit out of lilypond scope, but if I understand your > question correctly, you want to understand what these chords are? > > they are three different pre-dominant chords that are taught to American > undergrads in a sophomore theory course. > > in E major: > Italian = C E A# > French = C E F# A# > German = C E G A# > Tristan = C D# F# A# > > in all of them, the C and A# in theory want to fan out to B (the dominant). > This is, of course, in theory - Wagner’s use of the Tristan chord, which he > clearly named his opera after, has the A# moving down to A, or the 7th of the > dominant (I’m transposing to fit w/ the example above). Wagner obviously did > not pay much attention during his sophomore music theory course… > > ~Mike > On 13 September 2017 at 11.20.51, Menu Jacques (imj-...@bluewin.ch > <mailto:imj-...@bluewin.ch>) wrote: > >> Hello folks, >> >> MusicXML supports neapolitan, italian, german, french and tristan chords, >> i.e.: >> >> <harmony> >> <root> >> <root-step>C</root-step> >> </root> >> <kind>Neapolitan</kind> >> </harmony> >> >> I’ve found information about neapolitan, but nothing about the others. >> >> What is the structure of those? >> >> Thanks! >> >> JM >> >> >> _______________________________________________ >> lilypond-user mailing list >> lilypond-user@gnu.org <mailto:lilypond-user@gnu.org> >> https://lists.gnu.org/mailman/listinfo/lilypond-user >> <https://lists.gnu.org/mailman/listinfo/lilypond-user> > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org <mailto:lilypond-user@gnu.org> > https://lists.gnu.org/mailman/listinfo/lilypond-user > <https://lists.gnu.org/mailman/listinfo/lilypond-user>
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