>> I think it's likely rather hard to compose dissonant pieces without
>> access to the actual timbre (and thus overtone composition) used
>> for playing it.
>
> Apparently you haven’t been to any new classical music concerts in
> the last half-century. It’s *quite* clear that many composers —
> especially inexperienced ones — have no problem composing dissonant
> pieces without access to the the actual timbre and overtone
> composition of the music they’re writing.
Hehehehe! How true :-)
Werner
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