I have all of them from Mutopia on my disk. Which one do you want? --- Knute Snortum (via Gmail)
On Fri, Aug 14, 2020 at 1:17 PM Mark Stephen Mrotek <carsonm...@ca.rr.com> wrote: > Elaine, > > > > I have my codes for 6, 12, and 13. > > > > Mark > > > > *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark= > ca.rr....@gnu.org] *On Behalf Of *Flaming Hakama by Elaine > *Sent:* Friday, August 14, 2020 12:00 PM > *To:* Lilypond-User Mailing List <lilypond-user@gnu.org> > *Subject:* kind of OT: bach inventions > > > > > > I was working with one of the Bach inventions and was trying to find > public domain lilypond source, of either just the notes or an actual > edition. > > > > All of mutopia's links seem to be down atm, was wondering if anyone > happened to know of such a resource that is available. > > > > > https://www.mutopiaproject.org/cgibin/make-table.cgi?collection=bachis&preview=1 > > Sorry, no matches were found for your search criteria. > > > > > > Thanks, > > > Elaine Alt > > 415 . 341 .4954 "*Confusion is > highly underrated*" > > ela...@flaminghakama.com > > Producer ~ Composer ~ Instrumentalist ~ Educator > > -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- > > > > > > On Tue, Aug 11, 2020 at 7:29 AM Flaming Hakama by Elaine < > ela...@flaminghakama.com> wrote: > > ---------- Forwarded message ---------- > From: Michael Gerdau <m...@qata.de> > To: Lilypond User <lilypond-user@gnu.org> > Date: Sat, 18 Jul 2020 07:57:23 +0200 (CEST) > Subject: Q: Irregular alternate repeats and MIDI > Hi List, > > I have a score with repeats and irregular alternate endings. I can neatly > engrave that but I don't seem to be able to produce correct MIDI w/o > manually arranging all segments. > > Does someone has a trick up his sleeve? > I found mails regarding this problem in the archive dating back to 2008... > > Here is my "kind of" MWE: > %------------------- > \version "2.21.2" > > body = { c'4 c' c' c' } > voltaI = { d'4 d' d' d' } > voltaII = { e'4 e' e' e' } > voltaIII = { g'4 g' g' g' } > > musicI = { > \repeat volta 5 \body > \alternative { > \voltaI > \voltaII > \voltaIII > } > \bar "|." > } > > musicII = { > \repeat volta 5 \body > \set Score.repeatCommands = #'((volta "1.")) > \voltaI > \set Score.repeatCommands = #'((volta #f) (volta "2. 3. 4.") end-repeat) > \voltaII > \set Score.repeatCommands = #'((volta #f) (volta "5.") end-repeat) > \voltaIII > \set Score.repeatCommands = #'((volta #f)) > \bar "|." > } > > \markup "Default w/o \unfoldRepeats" > \score { > \musicI > \layout { } > \midi { } > } > > \markup "Default unfold is 1.-3. -> Volta 1, 4. -> Volta 2 and 5. -> Volta > 3" > \score { > \unfoldRepeats \musicI > \layout { } > \midi { } > } > > > \markup "This is what I want..." > \score { > \musicII > \layout { } > \midi { } > } > > \markup "...but \unfoldRepeats does not deal with it" > \score { > \unfoldRepeats \musicII > \layout { } > \midi { } > } > > \markup "Of course I could enforce it manually" > \score { > { \body \voltaI \repeat unfold 3 { \body \voltaII } \body \voltaIII \bar > "|." } > \layout { } > \midi { } > } > > \markup "How should I change \musicII to enable \unfoldRepeats to work the > way I want it?" > \markup "Is there a way to tell \alternative which repeats in which volta > (and the volta texts)?" > %------------------- > > Kind regards, > Michael > -- > Michael Gerdau email: m...@qata.de > > > > > Not exactly what you asked for, but one possible approach is to use tags. > > Tags allow for conditional use of material. > > In this case, you would add a tag that is specific to MIDI > and put the repetitions in a similar way you did in the "manual" version. > > Then, have two different scores, one for PDF and one for MIDI, > which use different tags. > > Even in the printed score, you need to use the \keepWithTag command, > even though there is no PDF-specific content here, > in order to keep the MIDI-tagged content out. > > Note that the tag names "MIDI" and "PDF" are just arbitrary words, > there is no intrinsic significance to them. > > This approach becomes handy when coding other differences for MIDI, > > such as fermatas, breaths, rit/accel, trills. > > > > \version "2.19.81" > > > body = { c'4 c' c' c' } > voltaI = { d'4 d' d' d' } > voltaII = { e'4 e' e' e' } > voltaIII = { g'4 g' g' g' } > > music = { > \repeat volta 5 \body > \set Score.repeatCommands = #'((volta "1.")) > \voltaI > \tag #'MIDI { \body } > > \set Score.repeatCommands = #'((volta #f) (volta "2. 3. 4.") end-repeat) > \voltaII > \tag #'MIDI { > \body \voltaII > \body \voltaII > \body } > > \set Score.repeatCommands = #'((volta #f) (volta "5.") end-repeat) > \voltaIII > \set Score.repeatCommands = #'((volta #f)) > \bar "|." > } > > \score { > \keepWithTag #'PDF \music > \layout { } > } > > \score { > \keepWithTag #'MIDI \music > \midi { } > } > > > > HTH, > > > Elaine Alt > > 415 . 341 .4954 "*Confusion is > highly underrated*" > > ela...@flaminghakama.com > > Producer ~ Composer ~ Instrumentalist ~ Educator > > > -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- > >
