Thanks again. I was able to get all of the files from the Portuguese mutopia.
I was initially looking for number 4, and once got that, I also worked on number 1. The mutopia were version 2.11, and I only had one issue with convert-ly regarding _\fermata I believe. I'm still on the 2.19. http://davidelainealt.com/lessons/pdf/songs/inventions/04.pdf On Sat, Aug 15, 2020, 7:05 AM Knute Snortum <ksnor...@gmail.com> wrote: > I have all of them from Mutopia on my disk. Which one do you want? > > --- > Knute Snortum > (via Gmail) > > > On Fri, Aug 14, 2020 at 1:17 PM Mark Stephen Mrotek <carsonm...@ca.rr.com> > wrote: > >> Elaine, >> >> >> >> I have my codes for 6, 12, and 13. >> >> >> >> Mark >> >> >> >> *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark= >> ca.rr....@gnu.org] *On Behalf Of *Flaming Hakama by Elaine >> *Sent:* Friday, August 14, 2020 12:00 PM >> *To:* Lilypond-User Mailing List <lilypond-user@gnu.org> >> *Subject:* kind of OT: bach inventions >> >> >> >> >> >> I was working with one of the Bach inventions and was trying to find >> public domain lilypond source, of either just the notes or an actual >> edition. >> >> >> >> All of mutopia's links seem to be down atm, was wondering if anyone >> happened to know of such a resource that is available. >> >> >> >> >> https://www.mutopiaproject.org/cgibin/make-table.cgi?collection=bachis&preview=1 >> >> Sorry, no matches were found for your search criteria. >> >> >> >> >> >> Thanks, >> >> >> Elaine Alt >> >> 415 . 341 .4954 "*Confusion is >> highly underrated*" >> >> ela...@flaminghakama.com >> >> Producer ~ Composer ~ Instrumentalist ~ Educator >> >> -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- >> >> >> >> >> >> On Tue, Aug 11, 2020 at 7:29 AM Flaming Hakama by Elaine < >> ela...@flaminghakama.com> wrote: >> >> ---------- Forwarded message ---------- >> From: Michael Gerdau <m...@qata.de> >> To: Lilypond User <lilypond-user@gnu.org> >> Date: Sat, 18 Jul 2020 07:57:23 +0200 (CEST) >> Subject: Q: Irregular alternate repeats and MIDI >> Hi List, >> >> I have a score with repeats and irregular alternate endings. I can neatly >> engrave that but I don't seem to be able to produce correct MIDI w/o >> manually arranging all segments. >> >> Does someone has a trick up his sleeve? >> I found mails regarding this problem in the archive dating back to >> 2008... >> >> Here is my "kind of" MWE: >> %------------------- >> \version "2.21.2" >> >> body = { c'4 c' c' c' } >> voltaI = { d'4 d' d' d' } >> voltaII = { e'4 e' e' e' } >> voltaIII = { g'4 g' g' g' } >> >> musicI = { >> \repeat volta 5 \body >> \alternative { >> \voltaI >> \voltaII >> \voltaIII >> } >> \bar "|." >> } >> >> musicII = { >> \repeat volta 5 \body >> \set Score.repeatCommands = #'((volta "1.")) >> \voltaI >> \set Score.repeatCommands = #'((volta #f) (volta "2. 3. 4.") end-repeat) >> \voltaII >> \set Score.repeatCommands = #'((volta #f) (volta "5.") end-repeat) >> \voltaIII >> \set Score.repeatCommands = #'((volta #f)) >> \bar "|." >> } >> >> \markup "Default w/o \unfoldRepeats" >> \score { >> \musicI >> \layout { } >> \midi { } >> } >> >> \markup "Default unfold is 1.-3. -> Volta 1, 4. -> Volta 2 and 5. -> >> Volta 3" >> \score { >> \unfoldRepeats \musicI >> \layout { } >> \midi { } >> } >> >> >> \markup "This is what I want..." >> \score { >> \musicII >> \layout { } >> \midi { } >> } >> >> \markup "...but \unfoldRepeats does not deal with it" >> \score { >> \unfoldRepeats \musicII >> \layout { } >> \midi { } >> } >> >> \markup "Of course I could enforce it manually" >> \score { >> { \body \voltaI \repeat unfold 3 { \body \voltaII } \body \voltaIII >> \bar "|." } >> \layout { } >> \midi { } >> } >> >> \markup "How should I change \musicII to enable \unfoldRepeats to work >> the way I want it?" >> \markup "Is there a way to tell \alternative which repeats in which volta >> (and the volta texts)?" >> %------------------- >> >> Kind regards, >> Michael >> -- >> Michael Gerdau email: m...@qata.de >> >> >> >> >> Not exactly what you asked for, but one possible approach is to use tags. >> >> Tags allow for conditional use of material. >> >> In this case, you would add a tag that is specific to MIDI >> and put the repetitions in a similar way you did in the "manual" version. >> >> Then, have two different scores, one for PDF and one for MIDI, >> which use different tags. >> >> Even in the printed score, you need to use the \keepWithTag command, >> even though there is no PDF-specific content here, >> in order to keep the MIDI-tagged content out. >> >> Note that the tag names "MIDI" and "PDF" are just arbitrary words, >> there is no intrinsic significance to them. >> >> This approach becomes handy when coding other differences for MIDI, >> >> such as fermatas, breaths, rit/accel, trills. >> >> >> >> \version "2.19.81" >> >> >> body = { c'4 c' c' c' } >> voltaI = { d'4 d' d' d' } >> voltaII = { e'4 e' e' e' } >> voltaIII = { g'4 g' g' g' } >> >> music = { >> \repeat volta 5 \body >> \set Score.repeatCommands = #'((volta "1.")) >> \voltaI >> \tag #'MIDI { \body } >> >> \set Score.repeatCommands = #'((volta #f) (volta "2. 3. 4.") end-repeat) >> \voltaII >> \tag #'MIDI { >> \body \voltaII >> \body \voltaII >> \body } >> >> \set Score.repeatCommands = #'((volta #f) (volta "5.") end-repeat) >> \voltaIII >> \set Score.repeatCommands = #'((volta #f)) >> \bar "|." >> } >> >> \score { >> \keepWithTag #'PDF \music >> \layout { } >> } >> >> \score { >> \keepWithTag #'MIDI \music >> \midi { } >> } >> >> >> >> HTH, >> >> >> Elaine Alt >> >> 415 . 341 .4954 "*Confusion is >> highly underrated*" >> >> ela...@flaminghakama.com >> >> Producer ~ Composer ~ Instrumentalist ~ Educator >> >> >> -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=- >> >>
