Hi Robin,
> If you need to do a lot of these polychords, you may be better off using two
> ChordNames contexts.
Oof… Is that really the state of things? Let’s get some syntactic sugar for
polychords so nobody has to go through all that (not to mention how it abuses
contexts)!
Any reason why we can’t have something like
\polychord { d1:m7 } { b:7 }
that just Does The Right Thing™??
Happy to try to build this function myself, if there aren’t any obvious
problems with the concept.
Thanks,
Kieren.
________________________________
Kieren MacMillan, composer (he/him/his)
‣ website: www.kierenmacmillan.info
‣ email: kie...@kierenmacmillan.info
