Kenneth,

1) Move Tempo to rh_one;
2) Change all "grace" to "acciaccatura".
See attachment.

Mark

-----Original Message-----
From: lilypond-user-bounces+carsonmark=ca.rr....@gnu.org 
[mailto:lilypond-user-bounces+carsonmark=ca.rr....@gnu.org] On Behalf Of 
Kenneth Wolcott
Sent: Tuesday, February 21, 2023 12:34 PM
To: Leo Correia de Verdier <leo.correia.de.verd...@gmail.com>
Cc: Lily Pond <lilypond-user@gnu.org>
Subject: Re: spurious second treble clef sign, what did I do wrong this time?

Hi Leo;

  Thanks again for your help.

  I have the "\grace s8." now in all three of the voices that do not have the 
"\acciaccatura", yet the problem persists.

  I'm not sure how I would insert the "\grace s8." into my \global variable.  
I'm sure that is obvious, but I don't grok it.

  I have attached my current Lilypond source, pdf output from Lilypond and the 
original pdf file.

Thanks,
Ken

On Tue, Feb 21, 2023 at 1:36 AM Leo Correia de Verdier 
<leo.correia.de.verd...@gmail.com> wrote:
>
> Now that I am at the computer and have seen the .ly file I would recommend 
> having them in the \global variable. (As you inferred, but just to be clear 
> for anyone else reading this thread, it should be \grace s8. in my first mail 
> in this thread).
>
> > 21 feb. 2023 kl. 10:03 skrev Leo Correia de Verdier 
> > <leo.correia.de.verd...@gmail.com>:
> >
> > It’s needed in any voice that contains a \clef \time , \mark or anything 
> > such.
> >
> >> 21 feb. 2023 kl. 08:58 skrev Kenneth Wolcott <kennethwolc...@gmail.com>:
> >>
> >> Thank you, Leo.
> >>
> >> I already had "\grace {s16*3} s1" in the second lh voice, 
> >> apparently needed in the the second rh voice?
> >>
> >> Thanks,
> >> Ken
> >>
> >>> On Mon, Feb 20, 2023 at 11:42 PM Leo Correia de Verdier 
> >>> <leo.correia.de.verd...@gmail.com> wrote:
> >>>
> >>> I haven’t been able to open your  .ly file since   I’m on the telephone, 
> >>> but that should be an issue 34. Add s8. right after the clef and time 
> >>> signature in the right hand, so that the grace note timing matches 
> >>> between the different staves and voices and the extra clefs and time 
> >>> signatures will disappear.
> >>>
> >>> HTH
> >>> /Leo
> >>>
> >>>>> 21 feb. 2023 kl. 08:33 skrev Kenneth Wolcott <kennethwolc...@gmail.com>:
> >>>>
> >>>> Hi;
> >>>>
> >>>> I'm engraving a piece of music arranged for Piano that (later) 
> >>>> has polyphony in the right hand and left hand.
> >>>>
> >>>> This is Lilypond 2.24.1 on MacOS.
> >>>>
> >>>> There is a spurious second treble clef (and spurious time 
> >>>> signature) in the first bar of the right hand (upper) staff.
> >>>>
> >>>> What am I doing wrong that causes this?
> >>>>
> >>>> I am attaching the example pdf which I am engraving from, my 
> >>>> Lilypond source and the pdf Lilypond creates.
> >>>>
> >>>> Thanks,
> >>>> Ken Wolcott
> >>>> <marcheslavePNO.pdf>
> >>>> <Marche_Slav.ly>
> >>>> <Marche_Slav.pdf>
>
\version "2.24.1"

% Tchaikovsky: Marche Slave

\header {
  title = "Marche Slave"
  composer = "Tchaikovsky"
  arranger = "from 8notes.com"
}

global = {
  \language "english"
  \time 4/4
  \key c \major
  
}

\paper {
  ragged-last-bottom = ##f
  markup-system-spacing.padding = 3
}

\layout {
  system-count = 4
}

% mBreak = { \break }
mBreak = { }

rh_one = {
  \global
  \clef treble
  \tempo "Moderato in modo di marcia funebre"
  \acciaccatura { s8. } R1  | % m01
  R1  | % m02
  R1  | % m03
  R1  | % m04
  e'2 ds'4(c'8 b)    | % m05

  \bar "|."
}

rh_two = {
  \global
  \clef treble
  \acciaccatura { s8. } s1  | % m01
  s1  | % m02
  s1  | % m03

  \bar "|."
}

piano_dynamics = {
  \global
  s8\pp s2. s8  | % m01
  s1            | % m02
  s1            | % m03
  s1            | % m04
  s1            | % m05

}

lh_one = {
  \global
  \clef bass
  \acciaccatura { e,16 fs, gs, } \repeat tremolo 8 { a,32 a,, }  a,8 r r4  | % m01
  \acciaccatura { e,16 fs, gs, } \repeat tremolo 8 { a,32 a,, }  a,8 r r4  | % m02
  \acciaccatura { e,16 fs, gs, } <a, a,,>4 q q q                           | % m03
  \acciaccatura { e,16 fs, gs, } <a, a,,>4 q q q                           | % m04
  <a, c e>4 q <a, c fs> <a, b, e gs>                                       | % m05

  \bar "|."
}

lh_two = {
  \global
  \clef bass
  \acciaccatura { s8. } s1  | % m01
  s1  | % m02
  s1  | % m03
  s1  | % m04
  s1                 | % m05

  \bar "|."
}

\score {
  \new PianoStaff \with { instrumentName = "Piano" } <<
    \new Staff <<
      \new Voice = "1" { \voiceOne \rh_one }
      \new Voice = "2" { \voiceTwo \rh_two }
    >>
    \new Dynamics \piano_dynamics
    \new Staff <<
      \new Voice = "1" { \voiceOne \lh_one }
      \new Voice = "2" { \voiceTwo \lh_two }
    >>
  >>
  \layout {}
}

\score {
  <<
    \new Staff <<
      \set Staff.midiInstrument = "acoustic grand"
      \set Staff.midiExpression=#0.6
      \new Voice = "1" { \voiceOne \rh_one }
      \new Voice = "2" { \voiceTwo \rh_two }
    >>
    \new Dynamics \piano_dynamics
    \new Staff <<
      \set Staff.midiInstrument = "acoustic grand"
      \set Staff.midiExpression=#0.6
      \new Voice = "1" { \voiceOne \lh_one }
      \new Voice = "2" { \voiceTwo \lh_two }
    >>
  >>
  \midi {
    \tempo 4=110
  }
}

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