Thanks to all for the assist! The new-coder mistake I had made was in mentally attaching the \after function to the entire measure, instead of the note in question.
Best, Matt ________________________________ From: Michael Werner <reznae...@gmail.com> Sent: Wednesday, February 21, 2024 12:41 PM To: Matthew Pierce <pierce...@hotmail.com> Cc: lilypond-user@gnu.org <lilypond-user@gnu.org> Subject: Re: \after syntax? Hi Matt, On Wed, Feb 21, 2024 at 10:53 AM Matthew Pierce <pierce...@hotmail.com<mailto:pierce...@hotmail.com>> wrote: Hello all, For hairpin positioning within a whole note, the Manual gives the syntax \relative { \after 2 \< c'1 } Is there an effective \after syntax for hairpin positioning within NON-whole notes, such as the second note in this (intuitive but) nonviable expression? \relative { \after 2 \< c'4 2. } CONTEXT: I need to place an \espressivo-shaped, double-hairpin swell underneath a dotted half note. Also, I need it to be stretchable, so that I can horizontally align it with the other, more active parts/staffs in my orchestral score. To emulate an \espressivo using actual dynamics by way of the \after function: \version "2.25.13" musA = \relative c' { a'4 \after 8*3 \> a2.\< a2\! a2 } musB = \relative c' { a'4 \after 4. \> \after 2. \! a2.\< a2 a2 } musC = \relative c' { a'4 \after 4. \> a2.\< <>\! a2 a2 } \score { \new Staff { \new Voice { \musA } } } \score { \new Staff { \new Voice { \musB } } } \score { \new Staff { \new Voice { \musC } } } will produce: [image.png] Three different ways of accomplishing the same thing. The first showing that you can indeed use scaling in the \after function (i.e. the 8*3 meaning 3 8th notes worth) and terminating the decrescendo on the following note. The second using \after to do the termination. The third uses the empty chord construct (i.e. the <> ) to attach the termination to. You are, of course, free to mix and match whichever method suits you. -- Michael