Hi Knute,
> Does this look correct to your eyes?
No: I would expect a barline *BEFORE* the key/time signature change(s), similar
to the end of the second system. That being said, I recognize the [visual]
problem of having a *REPEAT* barline come before a key/time signature change.
> If not, what would you do instead?
I don’t *love* this solution, but I think I prefer it to the current:
%%% SNIPPET BEGINS
\version "2.24.4"
keyAndTimeBeforeBarLine =
\once \override Score.BreakAlignment.break-align-orders =
#(make-vector 3 '(key-cancellation key-signature time-signature staff-bar))
\relative {
\key d \minor
\repeat volta 2 {
\repeat unfold 7 { d''1 } {}
\alternative {
{ d1 \break }
{
\set Score.voltaSpannerDuration = #(ly:make-moment 4/4)
\repeat volta 2 {
\repeat unfold 8 { d1 } \break
\time 3/8
\key d \major
\repeat unfold 8 { d4. }
\once \omit Score.TimeSignature
\once \override Score.BarLine.extra-offset = #'(-0.5 . 0)
\time 1/128 s128
\keyAndTimeBeforeBarLine
\time 4/4
\key d \minor
}
}
}
}
}
%%% SNIPPET ENDS
Obviously, if you need accurate MIDI output, you’ll want to find a different
hack to accomplish the same thing (i.e., have single barline, sigs, and then
repreat barline).
Interested to hear what others think!
Kieren.
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