Hi,
I normally use \oneVoice r4 \voiceOne in the first voice and s4 in the
second voice. This makes the rest a normal (merged) rest instead of a
rest belonging to a specific voice.
HTH,
Arjan
On 25-feb-2008, at 11:50, "Trevor Daniels" <[EMAIL PROTECTED]>
wrote:
Hi David
I've made a note to add something about this in the section of the
NR that deals with rests. I should get to that in the next few days.
Trevor D
-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:lilypond-user-bounces+t.daniels=treda.co.u
[EMAIL PROTECTED] Behalf Of
David Fedoruk
Sent: 25 February 2008 09:37
To: Lilypond mailing list
Subject: Re: Full bar rests in multi-voiced piano
scores -- question and
asuggestion
OK, I think that's partially what I am asking
about. I would just
never have found that myself. I would have asked
the wrong question.
I think that Zbynek and I might be asking the
same question. Language
is the barrier for both of us.
Let me re-phrase my question to see if I understand this:
Normally a half or whole rest sits on the middle
line. The exception
is where there are multiple voices on one staff.
There is yet another
exception to the exception. In piano music, even
though there may be
two voices which are resting, for clarity the two
rests which would
sit one above the other, are merged into one rest
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