David Fedoruk <david.fedoruk <at> gmail.com> writes:
> > I'm not sure which notes are grace and which are not. The problem is > interesting *think* i'm encountering a similar one, but you haven't > given me enough information to tell. > All the left-hand (bass clef) pitches will look like grace notes. The right hand pitch in the treble clef is a normal (and hence normal-sized) note. This all unfolds in one measure of 3/8 time, with the pitches as follows: Right hand: D#4 (i.e. just above middle C), dotted quarter-note Left hand: D2 - D#4 - C#3 - F#3 G3 (dyad), all grace notes. (The second grace note coincides with the main note in the right hand.) I'm using standard pitch notation, where the digit after the pitch-class name denotes the octave, i.e. not pitch-registral designations as would be given in Lilypond – those could be converted easily enough. The main issue is how one makes the second of the group of grace notes coincide with the right-hand pitch. This also requires cross-staff beaming with the grace notes, and a double-stemmed notehead on the D#4. I have found a post on a similar topic, dealing with "synchronizing" grace and normal notes between staves, but it only references synchronizing the first grace of the figure with the normal note, and there is no cross-staff beaming of the graces. Thanks! EF _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user