-----BEGIN PGP SIGNED MESSAGE----- Hash: SHA1 Am Montag, 10. März 2008 schrieb David Bobroff: > Um, no, not at all. That's not the problem.
If you could describe in a little more detail what you are trying to do (i.e. what are your cue voices, clefs, transposing instruments, etc.), we might be better able to help you come up with the proper solution... > Looking at it some more it > seems that what I need is more clef changes in and out of the cues in > order to insure that different transpositions of the main part,including > transpositions involving different clefs will produce the results I'm > after. Ah, so you are actually trying to print cue notes in different clefs? See the snippet: http://lsr.dsi.unimi.it/LSR/Item?id=388 If you don't need cue instrument names, you can simply remove them from the definition of the cleffedCueDuring and setClefCue functions. BTW, if you really need to convert some transposed music from relative to absolute, make sure to check whether the output of \displayLilyMusic (see section 3.3.1 of the lilypond manual for version 2.11) produces what you need... It helped me a lot when I realized I had entered a long section in the wrong pitch (you know, 18th century alto/soprano clefs...). The only thing that is wrong in the output are bar number checks. Cheers, Reinhold - -- - ------------------------------------------------------------------ Reinhold Kainhofer, Vienna University of Technology, Austria email: [EMAIL PROTECTED], http://reinhold.kainhofer.com/ * Financial and Actuarial Mathematics, TU Wien, http://www.fam.tuwien.ac.at/ * K Desktop Environment, http://www.kde.org, KOrganizer maintainer * Chorvereinigung "Jung-Wien", http://www.jung-wien.at/ -----BEGIN PGP SIGNATURE----- Version: GnuPG v1.4.6 (GNU/Linux) iD8DBQFH1b0XTqjEwhXvPN0RAt4zAJ0fkYRWXJJBPS+Y7YGaH7N+COpohgCcCplj 6QrxaAvwwcT9Sr8pPrmYM2U= =Q9bt -----END PGP SIGNATURE----- _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user