On Tue, 15 Jan 2013 21:43:04 -0800, Kieren MacMillan
<kieren_macmil...@sympatico.ca> wrote:
I've been using it for 10 years now.
Sorry, I've seen so many names they are all a jumble in my head. In that case,
for the part where the player switches instruments, you'd probably like to
store the as-written pitches along with the transpositions. Then you can use
LilyPond's quoting system to get the music in concert pitch for the C-score.
windMusic = {
<>^\markup\bold "Flute"
\transposition c'
\key d \major
\relative d' {
d8( e fis g a b cis d) }
<>^\markup\bold\concat{ "Clarinet in B" \flat}
\transposition bes
\transpose bes c' \relative d' {
\tag#'part \key d\major
d( e fis g a b cis d)
\bar "||" %% This gets lost, maybe due to a bug
\key f \major
d,( e fis g a b cis d) }
<>^\markup\bold "Flute"
\transposition c'
\tag#'part \key f \major
\relative d' {
d( e fis g a b cis d) } }
\addQuote "wind" \keepWithTag#'score \windMusic
windMusicInC = \quoteDuring "wind" #(skip-of-length windMusic )
\new Staff \keepWithTag#'part \windMusic % Part
\score { \new Voice \windMusicInC }
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