Hi Keith,
> for the part where the player switches instruments, you'd probably like to
> store the as-written pitches along with the transpositions. Then you can use
> LilyPond's quoting system to get the music in concert pitch for the C-score.
Now we're getting somewhere! Thanks!
I will test this technique with more abstracted setups (e.g., the key
signatures in a global variable, shared across multiple
multi-instrumentalists), and see how it works.
All the best,
Kieren.
>
> windMusic = {
> <>^\markup\bold "Flute"
> \transposition c'
> \key d \major
> \relative d' {
> d8( e fis g a b cis d) }
> <>^\markup\bold\concat{ "Clarinet in B" \flat}
> \transposition bes
> \transpose bes c' \relative d' {
> \tag#'part \key d\major
> d( e fis g a b cis d)
> \bar "||" %% This gets lost, maybe due to a bug
> \key f \major
> d,( e fis g a b cis d) }
> <>^\markup\bold "Flute"
> \transposition c'
> \tag#'part \key f \major
> \relative d' {
> d( e fis g a b cis d) } }
>
> \addQuote "wind" \keepWithTag#'score \windMusic
>
> windMusicInC = \quoteDuring "wind" #(skip-of-length windMusic )
>
> \new Staff \keepWithTag#'part \windMusic % Part
>
> \score { \new Voice \windMusicInC }
>
>
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