I did read that section but this also has some unison parts as well. I'll play with that. I'd expect the divisi and tutti text to work as I see that in many many scores, for example a mozart piece we are doing where there's a quartet solo.
Thanks. and be blessed. On Mar 2, 2013, at 10:04 AM, Jethro Van Thuyne <p...@jethro.be> wrote: > Sarah k Alawami (02 Mar 2013 @ 18:55) >> >> Now on to the divisi. How do I do this? once I get the rhythms correct that >> is? I'm hoping to get the rest of it done today. The cello and bass parts >> will be easy. they are just octaves. I think I'll leave the 5gths out as I >> believe they are in the upper parts and I want that oomph. >> > > For divisi, have a look here: > > http://www.lilypond.org/doc/v2.16/Documentation/notation/multiple-voices > > For short occurances of divisi, I like to use what the manual calls > "the double backslash construct". > > Jethro. > > > _______________________________________________ > lilypond-user mailing list > lilypond-user@gnu.org > https://lists.gnu.org/mailman/listinfo/lilypond-user _______________________________________________ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user