On 21 Jul 2013, at 21:16 , Pierre Perol-Schneider wrote:
2013/7/21 Christopher R. Maden <cr...@maden.org>
I will disagree with Carl here — I like to have end bars (and other
flow-features) in all my parts precisely because errors like this show
up with a giant flashing neon sign. It is a nice diagnostic side-
effect.
~Chris
I absolutely agree with you Carl.
And I agree with Chris. A seperate tracks is perfect for large scores,
but not always worth the extra trouble for the smaller pieces.
Because I usually have instrumental parts, often transposed and
sometime included in larger scores, I tend to used tags to make the
difference. For example something basic like this:
\version "2.16.0"
music = \relative f' {
c-\tag #'part ^"(part)"
-\tag #'score ^"(score)"
d e f g
a b c
\tag #'score \bar "|."
}
\score {
\new Staff {
\keepWithTag #'part \music
\keepWithTag #'score \music
}
}
There is also a function in the archive to use multiple tags in one
call: \keepWIthTags which I've included in my own library.
Regards,
Wim.
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