Hi Alex,
> Two separate ones. As an orchestral performer those breaks are often used to
> signify the beginnings of sections to make counting easier, so if I'm resting
> and there are 8 bars of one theme followed by 8 of another, I find it much
> easier to keep my place when it's 8 and 8 instead of 16.
That’s exactly why there are rehearsal marks, markup, cues, spanners, etc.: you
[can] use them to break up the uninterrupted stretches of multi-measure rests —
I don’t want to stop that from happening, of course.
I’m simply trying to avoid problems like the one evident in the following
snippet (where the second score should contain a three-measure MMR):
\version "2.17.97"
theGlobal = {
\compressFullBarRests
s1
s1-\tag #'(foo) -\markup "Foo only"
s1
}
theMusic = {
R1*3
}
\score {
\new Staff \keepWithTag #'(foo) << \theGlobal \theMusic >>
}
\score {
\new Staff \removeWithTag #'(foo) << \theGlobal \theMusic >>
}
Cheers,
Kieren.
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