The \hideNotes and \unHideNotes is to achieve the work-around for mixing
bending strings with hammer-on and pull-offs (which are engraved using normal
slurs). This is just an excerpt of what I was trying to engrave... and I think
it is minimal, in the sense that if you remove any one part of it then Lilypond
runs fine and produces what I expected.
Martyn
________________________________
From: Federico Bruni <fedel...@gmail.com>
To: Martyn Quick <martyn_qu...@yahoo.co.uk>
Cc: "lilypond-user@gnu.org" <lilypond-user@gnu.org>
Sent: Wednesday, 30 July 2014, 23:07
Subject: Re: Strange problem with guitar bends
2014-07-30 21:19 GMT+02:00 Martyn Quick <martyn_qu...@yahoo.co.uk>:
music = {
> \set restrainOpenStrings = ##t
> \set TabStaff.minimumFret = #12
> \relative a' {
> r2 c16 ( \glissando b )
> \bendOn \bendGrace g' ( a8 ) ( \bendGrace g ) ( a ) \bendGrace g ( a ) |
> \bendGrace g ( a4 ) \bendGrace \preBendHold g ( a16 ) ( g8 )
> \bendGrace g ( \holdBend a16 ) ~ a8 ( g16 ) e
> d ( e ) g \bendGrace \preBendHold d ( e ) ( |
> d8 ) \bendOff c16 ( \hideNotes \grace d ) \unHideNotes
> \bendOn d ( e ) g \bendGrace \preBendHold d ( e ) ( d )
> c4 \bendGrace \preBendHold a ( c16 ) ( a )
> \bendOff g ( \hideNotes \grace a ) \unHideNotes a |
> }
>}
There's no error if you comment either minimumFret or \unHideNotes. I don't
know why.
I can't understand why you are using \hideNotes here._______________________________________________
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