2014-12-24 15:17 GMT+01:00 Kieren MacMillan <kieren_macmil...@sympatico.ca>:
> Hi Federico,
>
> > I don't understand why coda sign and fine sign are in first alternative.
> I'd expect to see them at the end.
>
> The \repeat function needs to know two things:
> (1) where to put the various visual bits; and
> (2) how to unfold the repeats if the part (or midi) is being written out.
>
> In the example you linked to (page 23, first score), we have structurally
>
> { 1m } { § + 3m + ’to Coda ø’ } { 2m + ‘D.S. al coda’ + || } { 'ø coda’
> + 2m + .| }
>
> where § is the standard D.S. symbol, ø is the standard coda symbol, ‘m’
> stands for measures of music, and the other symbols are the various
> barlines.
>
> So the suggested repeat structure would be
>
> \repeat segnocoda { 1m } \alternatives { { 3m } { 2m } { 2m } }
>
> which is essentially exactly what David K has on the issue page.
>
> Does that make sense now?
> If not, please ask a specific question, as I’m not clear on what you don’t
> understand.
> If it *does* make sense to you, but you think it’s an inferior solution,
> please point out why and suggest an alternative which in your opinion
> solves the problem(s).
>
Yes, it's more clear, thanks.
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