Thanks for this Sterling.  I do recall on a couple of occasions calling my instrument 
`a Baroque lute' only to be corrected that it is a theorbo.  Will the real instrument 
please stand up?! hehe.  
 
When you say you play Weiss C Major Suites with a 14th course, do you mean playing the 
dominant - G - an octave lower? Gg?  I must give this a go.
 
Best regards,
 
Michael Stitt


sterling price <[EMAIL PROTECTED]> wrote:
Hi- I play a 14c baroque-lute. I use the 14th course
all time in Weiss where it makes sense-for instance in
c major keys. The thing about playing a 14 course
baroque lute is the music is designed for 13 courses
so having a 14th can be confusing for the thumb when
playing a 13c then a 14c like I do. I moved the 14th
over so there is a bigger space between 13 and 14.
Also-just call it what it is-a baroque lute. The
difference in sound is barely noticable.
Sterling Price

--- Michael Stitt wrote:
> Dear all,
> 
> Am I right to assume that Bach's music is the only
> music to require that low Gg - fourteeth course?
> 
> The ambiguity and terminology of description for
> this lute has always been a bit of problem for me.
> When asked what instrument I play and Courses versus
> `number of strings', it becomes a mouthful. I am
> asked: `What instrument do you play?' I play a 14
> course German theorbo, is usually my reply. But
> then explaining that each course has two
> `doubled-up' strings but the first two are single,
> making a sum total of twenty-six NOT twenty-eight
> strings... Then there is `fourteen course??!' - I
> thought the Baroque lute has thirteen courses? My
> response is: `Yes, a Gg tp play Bach's BWV 995,
> 1997, & 1000' Almost finally, but is it really a
> theorbo or a Baroque lute? `Yes it is a theorbo
> because it has the extra bass pegbox'. Why the
> German bit? `It is based on a lute constructed by
> JCHoffmann who was German...'. End of breath...
> 
> 
> I bet a guitarist does not get this, six strings
> will do! hehe.
> 
> Regards,
> 
> Michael Stitt
> 
> 
> 
> 
> 
> 
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