>> The e flats and e naturals are the result of harmonic thinking,
>> taking into account what is in the Lute 2 part, avoiding where
>> possible the dreaded diminished fifth/ augmented fourth.
> Could you elucidate why these are to be dreaded?
> 
> Diabolus in Musica
> 
> Otherwise known as a TRITONE!!! Aieeeeeee!
But these are not nearly as problematic in baroque music, aren't they?
RT
______________
Roman M. Turovsky
http://turovsky.org
http://polyhymnion.org



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