>> The e flats and e naturals are the result of harmonic thinking, >> taking into account what is in the Lute 2 part, avoiding where >> possible the dreaded diminished fifth/ augmented fourth. > Could you elucidate why these are to be dreaded? > > Diabolus in Musica > > Otherwise known as a TRITONE!!! Aieeeeeee! But these are not nearly as problematic in baroque music, aren't they? RT ______________ Roman M. Turovsky http://turovsky.org http://polyhymnion.org
- divisions and hexachords ? Peter Nightingale
- Divisions and hexachords ? Stewart McCoy
- Re: Divisions and hexachords ? Roman Turovsky
- RE: Divisions and hexachords ? Garry Bryan
- Re: Divisions and hexachords ? Roman Turovsky
- RE: Divisions and hexachords ? Garry Bryan
- Re: Divisions and hexachords ? Roman Turovsky
- Re: Divisions and hexachords ? Roman Turovsky
- Divisions and hexachords ? Stewart McCoy
- Re: Divisions and hexachords ? Peter Nightingale
- Divisions and hexachords ? Stewart McCoy
- Re: Divisions and hexachords ? "Mathias Rösel"
- Divisions and hexachords ? Stewart McCoy
- Re: Divisions and hexachords ? Peter Nightingale
- Re: Divisions and hexachords ? "Mathias Rösel"