And then there is "one" (whatever the meaning of "one" might be) by
Francis Cutting -- Julian Bream plays it on "The Woods so Wild" sandwiched
between "da-di-da didi-da"s; it's in the Noad Renaissance guitar book ...

Peter.

On 15 Mar 2005, "Mathias Rösel" wrote:

> > I just know the one that 'everyone' plays, da-di-da didi-da di da, 
> > didi-da-di-da didi-da-di-da, etc., that one. 
> 
> I suppose you think of
> 
> 2   4  2   3 1 2   4 2   4 2   3 1 2   2 2 2   4 2   4
> 
> a | c  d | e f e | d b | g   | a b c | d e c | b g# |E
> 
> (1 = quaver, 2 = crotchet, 3 = dotted crotchet, 4 = minim)
> 
> there is another that goes
> 
> 3 1 2 2   2 2 2 1 1   3 1 2 2   2 2  4    3 1 2 2   2 2 2 1 1   2 1 1 1 
> 1 1 1    1 1 2 2  2 
> 
> e f e e | d b g a b | c b c c | h g# E || e f e e | d b g a b | c b a g#
> a b g# | a a e c# a
> 
> Both are trebles for the passamezzo ground that was popular around
> 1600.
> 
> Cheers,
> 
> Mathias
-- 
the next auto-quote is:
I won't undertake war until I have tried all the arts and means of peace.
(Rabelais)
/\/\
Peter Nightingale                  Telephone (401) 874-5882
Department of Physics, East Hall   Fax (401) 874-2380
University of Rhode Island         Kingston, RI 02881



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