Very good recommendations. Castaldi's _Cappricci a due stromenti cioe tiorba e tiorbino e per sonar solo varie sorti di balli fantasticarie_ is also instructive for the songs in it, set for solo voice. The accompaniment is a bass line, beneath which is a realization in tablature for theorbo. The tablature gives some idea of style as well as harmonic realization. The book is a Minkoff Reprint (1981), with ISBN 2-8266-0718-9.
Eric Hansen [EMAIL PROTECTED] --- On Sat 10/08, Taco Walstra < [EMAIL PROTECTED] > wrote: From: Taco Walstra [mailto: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: lute@cs.dartmouth.edu Date: Sat, 8 Oct 2005 13:43:41 +0200 Subject: [LUTE] Re: continuo On Saturday 08 October 2005 12:39, you wrote:<br><br>As said before in the 'new boy's' thread the book by Nigel North is the best <br>starting book. It gives excellent information with some worked out examples <br>in tablature. In my opinion the theoretical chapter on music theory is a bit <br>short, when starting to figure your own unfigured bass part; it's more an <br>outline for people who already know everything about harmonics, 6, 6/4 <br>inversions etc. etc. but this can also be found in other books. <br><br>The french lute society has also some booklet on continuo, but of course in <br>french and not known to me. <br><br>A very good book is "Traité d'accompagnement pour le théorbe et le clavessin <br>(Paris, 1690) by Denis Delair, available in facsimile by Minkoff. The English <br>translation is unfortunately not anymore available, but can be found in some <br>university libraries.<br><br>Complicated but still interesting is <br>Arnold, The art of accompaniment from a thorough bass as practised in the 17th <br>and 18th centuries (Dover publications, 2 paperbacks). <br><br>Fleury - Methode pour apprendre facilement a toucher le theorbe sur la <br>basse-continue, 1660. Minkoff facsimile. Lots of mistakes, generally not <br>recommended, only historically interesting.<br><br>Agazzari - del sonare sopra 'l basso con tutti li stromenti e dell' uso loro <br>nel conserto, Sienna 1607. Very interesting essay. Translation can be found <br>in Arnold but also on internet. It's more for historical background because <br>of it's early date, not for learning continuo. <br><br>The 'English songs 1625-1660', Musica Brittanica is a good starter, because <br>the bass part is worked out in staff, easy songs which fit very good on <br>theorbo.<br>Taco<br>> Hi folks,<br>><br>> Are there any tutors for learning continuo on the theorbo?<br>><br>> Thanks,<br>><br>> Dennis<br>><br>><br>><br>><br>> To get on or off this list see list information at<br>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html<br><br><br> _______________________________________________ Join Excite! - http://www.excite.com The most personalized portal on the Web!