> But, If a guitarist wants to play Bach or Weiss, he or she shouldn't be
> discouraged.
I think they should be, by any means possible.
Moreover shey should sign an affidavit by which they'd promise not to come 
within a 100 yard radius of any pre-1800's music. They can do Carculli, 
Targuado etc.- that's would be between consenting adults.
And they should be given mandatory therapy to get them off that G-thing 
entirely. And don't tell me that G-thing is genetic. It ain't.
RT


> The music ultimately transcends the instrument. It may sound
> more appropriate on the lute but it's the music that's most important. The
> six string guitar is certainly limited, but one can get instruments with
> more strings, 8 being quite common. Some luthiers are building 11 and 13
> string guitars. For example Michael Thames is building a 13 string "swan"
> type head guitar  - http://www.thamesclassicalguitars.com/sub13.htm - For 
> a
> dedicated classical guitarist unwilling to make the jump to the Baroque
> lute, something like this seems like a reasonable alternative.
>
> Ken Brodkey
>
>
> -----Original Message-----
> From: Roman Turovsky [mailto:[EMAIL PROTECTED]
> Sent: Friday, May 05, 2006 5:40 AM
> To: lutelist; Juan Fco. Prieto
> Subject: [LUTE] Re: Baroque lute tuning for Bach "lute"(?) works.
>
>
> The problem with guitar is that its very sound is profoundly inappropriate
> for the music, notwithstanding fine efforts of Baltazar Benitez, for
> example.
> And Eduardo Egüez plays JSB so well that the questions of being idimatic
> don't even come to mind.
> RT
>
>
>
>
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