To put an end to all silliness apropos what what Pat deems to be the safest 
way of plucking, I made a small page UNDER EXTREME DURESS.
So this is what Pat advocates, make no mistake about it,
absolutely no hooking:
http://turovsky.org/collapsing.html
RT

----- Original Message ----- 
From: "Denys Stephens" <[EMAIL PROTECTED]>
To: "lute net" <lute@cs.dartmouth.edu>
Sent: Thursday, July 06, 2006 5:57 PM
Subject: [LUTE] Re: Right hand


> Dear Bruno,
> I think what's being described in that passage is no more than the
> natural movement of closing the hand. If you close your
> hand to make a fist, the tip joints start to bend inwards
> towards the end of the movement, but they stay relaxed
> within the earlier stages of the closing movement that's used in
> lute playing. The idea that lute playing simply uses movements
> that are natural to the human body is in my view very much
> in keeping with the spirit of the Renaissance. See, for example,
> 'The fowertene Rule' of the English translation of Leroy's instructions
> (1568) which begins:
>
> 'When thou wilte plai sixe partes upon the Lute, thou muste
> strike dounewards, the sixte and the fifte stryng, with the thombe
> onely, trainying it upon the twoo partes, as if thou wouldest shutte
> thy hande, and strike upwardes the thirde and fowerth parts or
> strynges, with the first finger, as if thou wouldest joyne, or shutte it
> to thy thombe........'
>
> Note the very simple instruction to 'shut' the hand, also described
> elswhere in these instructions as 'gripyng' - I take this at face value
> to simply mean a very natural closing movement of the hand.
>
> I am always very wary of detailed instructions that specify
> what one should or ought to do with small components of the
> body - fingertips, for example. From years of working with
> applying the principles of Alexander Technique to lute playing,
> I am very much aware that attempts to excercise unusual sorts
> of control over fingers or thumbs are usually doomed to failure -
> even if they succeed while close focus is maintained, habitual
> patterns of use will re-assert themselves as soon as the attention is
> placed elsewhere. And there are levels of relaxation in the hands
> that can only really take place when the whole body is poised
> and in balance. So, for example, for a person who has difficulty
> in using their hands due to over tense muscles, it's much better
> to work on getting the whole body into balance and let the hands
> work naturally than to try and focus on 'making' them work in
> a particular way.
>
> Best wishes,
>
> Denys
>
>
> ----- Original Message -----
> From: "Bruno Correia" <[EMAIL PROTECTED]>
> To: <lute@cs.dartmouth.edu>
> Sent: Thursday, July 06, 2006 5:52 PM
> Subject: [LUTE] Right hand
>
>
>> The quotation  below is from Pat O'Brian right hand lecture. Could 
>> someone
>> help me to understand what does he mean by the bending of the tip joint?
> The
>> movement comes from the knucles and the 1st joint, but the tip will move
>> passively, otherwise we won't have a big surface area touching the 
>> string.
>> The tip will flex pressing down the string. Does he mean we should avoid
>> bending the joint actively? I can't do that... In the classical (if I
>> remember well) only in the rest stroke the tip will flex, in the free
> stroke
>> it doen't move at all.
>> "Concentrate the motion in plucking in the knuckles,
> (metacarpal=ADphalangal
>> joint.) and the joint immediately below, (joints between 1st and 2nd
>> phalangal rows.) Avoid motion between the 2nd and 3rd phalangal bones, 
>> or,
>> in other words, bending of the tip joints during the stroke. This is
>> probably the most important single problem: bending tip joints produces
>> tension, impairs tone and volume, and encourages sympathetic motion of
>> adjacent fingers. It is to be avoided by learning the articulation of
> other
>> joints."
>>
>> --
>>
>> To get on or off this list see list information at
>> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>>
>>
>>
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>>
>
>
>
> -- 
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>
>
> 




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