On Oct 9, 2006, at 5:47 AM, ariel abramovich wrote:

>
> Edin is an specialized lutenist (one of the best around, I should  
> add), ...
>
  Ariel: I wish Edin, the CD and any spill off into the lute  
community at large great financial and artistic success. But I have  
to say that your comment really gets under my skin. Do you mean that  
Edin is tops at his published specialty (Bach and Britten on an  
archlute)? Then I would completely agree. Do you honestly believe  
however that he is one of the best professional lutenists around or  
at least a top Dowland interpreter? If so, do you have any criteria  
other than friendship?

Art is art and artists shouldn't be ranked like world tennis players.  
Nevertheless I don't think it is too unreasonable to at least think  
in terms of broad bands of technical and artistic ability. No need to  
quibble about specifics, but there is definitely an "A" list that  
includes people like POD, McFarlane, Hoppy, Satoh, Lindberg, Barto,  
Stubbs and North. There is another top group who aren't quite as well  
known or broadly recorded but whose recordings really impress me,  
like Wilson, Eguez, Held, and Lislevand. There are others whom I have  
heard in person and on the occasional recording that also play at a  
very high level like Richard Stone, Andrew Maginley, David Dolata,  
Scott Pauley, Lucas Harris, amongst others. Of course everyone on the  
lutelist will have a different personal preference list, and I know  
that Roman can produce a list of people whose names I have never  
heard of and whose names would yield extremely high Scrabble scores  
whom I have never heard play but I am sure are very talented.

Nevertheless, do you believe that based on his 2 recordings, Edin's  
technical and artistic levels exceed those of the arbitrary and  
highly personal list I just came up with?

DS



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