background information - not vitriol. 

the following was posted to the rec.music.early site
by francis biggi in response to a negative comment,
belittleing karamazov's playing and lamenting sting's
financial gain from the recordings:

" ... Edin is not a 3d class player. just think of his
work with Andreas Scholl or Hesperion. 
After all, why not Edin? The man knows his place. He
is an excellent "accompagnatore:" very versatile. 
Could you imagine Paul O'Dette 
accompanying another star, AND staying in the
background?  And, after all, Sting lives in Europe,
spending most of his time in Italy: so why not
Hopkinson, Eugène Ferré or one of the good Italian
players, like Damiani, Marincola, or Pavan? The
connection between Sting and Edin was made, i presume,
by Richard Levitt who taught Sting how to deal with
Elizabethan songs.  Levitt lives in Basel and Edin was
one of the students at the Schola Cantorum and was
close to Richard in his last teaching years (I was
there too.)"

olè - bill

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