Dear Stephen,
no - you are not, although Eco admitted after the publication of "Il
nome della rosa" that he had smuggled some rather recent ideas (he named
Wittgenstein) into his character's mouths. But with respect to
eyeglasses - I suspect in future years I like many other elderly people
will need one to read music, tablature a.s.o., so there is something
like a justification for the topic here, ;) - he stayed with the truth.
One finds eyglasses quite similar in construction to the
"Ockeghem"-thing in Italian art of the fourteenth century as in german -
erm - rubble heaps from the same century. Very nice are the ones from
the Wienhausen convent (situated in Lower Saxonia), which are on display
in the museum rooms of the convent. They were found as part of an
enourmous "Tusculum Sammelsurium" (sorry, can't think of an English term
here) in the 1950s, when the floor boards in the chapel of the convent
were raised during restoration work. There is some music found, too -
mostly single leafs and fragments with the exception of a songbook
preserved almost in its entirety. No lute music, though ...
All best,
Joachim
."stephen arndt" <mailto:[EMAIL PROTECTED]> schrieb:
> Since we seem to be taking a break from the lute, let me say that a number of 
> years ago I read a novel by Umberto Eco called "Il nome della rosa." The 
> story takes place in the 14th century, and if I recall correctly, one of the 
> main characters (frate Gugliemo) wears eyeglasses. I would be surprised at an 
> anachronism in a writer such as Eco, who has some pretty decent credentials, 
> so I suppose that eyeglasses existed already at that time. Am I mistaken in 
> that supposition? 
> 
> Stephen Arndt
> --
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Dr. Joachim Lüdtke
Frühlingsstraße 9a
D - 93164 Laaber
Tel. +49-+9498 / 905 188

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