On Jun 18, 2008, at 1:58 PM, Jean-Marie Poirier wrote:

> Anyway, the bulk of historical evidence is clearly in favour of a  
> more or less equal temperament when considering fretted instruments  
> like lutes or viols,

As far as I know, the historical evidence consists mostly of:

1) Actual instructions for fretting the instruments, which describe  
unequal temperament;

2) Theorists implying equal fretting; and

3) Metal-fretted instruments all in unequal temperament.

It's difficult to reconcile the second category with the other two.


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