"It was the Castelnuovo guitar concerto that Segovia (or his biographer) claimed was the first guitar concerto of the 20th century." It is probably up for debate as to whether Tedesco or Rodrigo wrote the first guitar concerto of the 20th century. Both were written in early 1939 but I don't know when either was completed. Segovia indicates to Ponce in Aug. 1939 that Tedesco wrote him a concerto so it was presumably done by then. Rodrigo's was premiered in November that year by it's dedicatee, Regino Sainz de la Maza but Tedesco's was not performed by Segovia until later (can't find the date at the moment). Segovia would have had a vested interest in promoting the view that Tedesco's was first completed. He was bitter that Rodrigo's concerto was dedicated to Sainz de la Maza, especially after it was such a huge success. steve On Mon, Sep 29, 2008 at 1:32 PM, Arthur Ness <[EMAIL PROTECTED]> wrote:
----- Original Message ----- From: "howard posner" <[EMAIL PROTECTED]> To: "Lute Net" <[EMAIL PROTECTED]> Sent: Sunday, September 28, 2008 8:18 PM Subject: [LUTE] Re: Respighi | On Sep 28, 2008, at 12:24 PM, Arthur Ness wrote: | | > He argued that Segovia was lying | > when he bragged to have commissioned the first guitar concerto of | > the 20th | > century. | | What was this concerto Segovia was supposed to have commissioned? oooooooooooooooooooooooooooooooooooooooo Good morning, Howard! It was the Castelnuovo guitar concerto that Segovia (or his biographer) claimed was the first guitar concerto of the 20th century. It dates from 1939. The concertino dates from 1930. And even so, one suspects that surely, some place someone wrote a guitar concerto before that. As far as I know the work has never been recorded, and I cannot find the composer listed in either the New Grove or Slonimsky dictionaries, or Austin (20th century music). Slonimsky mentions him in his book on music in Latin America (just four or five lines, iirc), and if you read between the lines (and Slonimsky was very skilled at back-handed compliments), he did not think much of his music: "An academic composer," or words like that. So being first is not neccessarily best. The guitarist/editor falsely claims Slonimsky championed the work, remarking that Adame held an honored place at the head of his list of Latin American composers. Sure. And he would be last if his name was Zebra.<g> In fact it was Slonimsky who brought the manuscript of the concerto to the U.S. He had been commissioned to travel trough Latin America and collect music from local composers. Someone thought we should be more familiar with music south of the border. All of the _*manuscript*_ music went to the Fleischer Collection at that library in Philadelphia, a lending library of orchestral music for performance (scores and parts). Found in: Free Library of Philadelphia Title: Concertino 3^o [=terzo] : Estilo mariache / Rafael G. Adame. Author: Adame, Rafael, 1905- ms score 29 pp. + parts Notes: 1. Preludio -- 2. Andantino ; fuga. solo guitar, 1 fl, 1 ob, 1 cl, 1 bsn and strings BIB Call Number: 985M ENTIRE WORK All of the _*printed*_ music that he collected is now in a basement somewhere. I know where but I'm not saying.<g> Maybe Eugene will find a peer-reviewer to test the truthfulness of my statement. More interesting to my way of thinking would not be "firsts" but "bests." My vote for the best guitar concerto of the 20th century would certainly include as first place the recently discovered Concerto for Two Guitars by Germaine Tailleferre, the female member of "Les Six.". The guitars tend to be in the background, so perhaps it might not appeal to some guitar types. But the harmonies and orchestral sonorities are so wonderfully transparent. Lots of bi-tonal passages. Cross rhythms. A piano reduction with two guitars and full score was published about five years ago (Lagny sur Marne: Musik Fabrik, 2002 & 2008). It is thought the concerto was composed for the Presti/Lagoya duo. It's on a CD featuring Chris Bilobran, "Compositon Feminine" Verlag Klaus Juergen Kompread VKJK 0422. See [4]www.jklk.de The CD includes a nicely performed concerto-like overture with solo lute (played on guitar) by Camilla dei Rossi (d. ca 1710). A delightful Italianate work. She was active in the Vienna Court, where the lutenist Francesco Conti was Kapellmeister. She composed oratorios, often including prominent parts for lute, and had some contact with Handel. Many of her scores are published by Clar-Nan Editions in Arkansas. Apparently (iirc) the original lute parts are in pitch notation. The CD also has some virtuoso opera variations composed by Mauro Giuliani's daughter, Emilia Giuliani-Guglielmi. Now that must be another furst of sorts. =====AJN (Boston, Mass.)===== This week's free download from Classical Music Library is Schubert's Symphony No. 3 in D, D. 200 performed by the Orchestra della Svizzera Italiana, Alain Lombard, conductor. To download, click on the CML link here [5]http://mysite.verizon.net/arthurjness/ My Web Page: Scores [6]http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/ Other Matters: [7]http://mysite.verizon.net/arthurjness/ =================================== To get on or off this list see list information at [8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- References 1. mailto:[EMAIL PROTECTED] 2. mailto:[EMAIL PROTECTED] 3. mailto:lute@cs.dartmouth.edu 4. http://www.jklk.de/ 5. http://mysite.verizon.net/arthurjness/ 6. http://mysite.verizon.net/vzepq31c/arthurjnesslutescores/ 7. http://mysite.verizon.net/arthurjness/ 8. http://www.cs.dartmouth.edu/%7Ewbc/lute-admin/index.html