You can see this denss florilegium with the handwritten pieces online: http://mdz10.bib-bvb.de/~db/0003/bsb00031268/images/index.html
Greetings W. -----Ursprüngliche Nachricht----- Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag von Stephan Olbertz Gesendet: Freitag, 8. Mai 2009 19:36 An: lute@cs.dartmouth.edu Betreff: [LUTE] Re: Milan's tablature? I seem to recall some handwritten pieces on the blank staves of Denss' Florilegium, in the copy which was used for the Tree Edition selection. There must be some more fragments, someone suggested the name Valencinian tablature because there seem to be connections to Valencia other than through Luis Milan. Ragards, Stephan -----Ursprüngliche Nachricht----- Von: "howard posner" <howardpos...@ca.rr.com> Gesendet: 07.05.09 19:50:54 An: lutelist Net <Lute@cs.dartmouth.edu> Betreff: [LUTE] Re: Milan's tablature? I suppose I would have made it easier for everyone, particularly Reinier de Valk, if I'd asked the actual question I'm trying to answer, which is whether Milan's tablature can correctly be called "unique." On May 7, 2009, at 10:22 AM, Stewart McCoy wrote: > There are four short pieces for the four-course guitar in Barberiis' > _Libro Decimo_ (venice, 1549). The pieces are described as "Fantasie > per sonar sopra la Chitara da sette corde". The tablature for all the > lute pieces in the book is Italian, but it is Spanish/ Milan tablature > for the guitar pieces. Thus dispatching "unique." -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html ________________________________________________________________________ __ Verschicken Sie SMS direkt vom Postfach aus - in alle deutschen und viele ausländische Netze zum gleichen Preis! https://produkte.web.de/webde_sms/sms
